For me, one of the ultimate goals of a performance is to make pieces come across as something new, something unexpected and fresh. As soon as you start working with historical instruments, you are jeopardising this aspect. It is very difficult to get away from that; some performers manage it magically, but I don’t see myself doing that.
Jeal, Erica, “Pavel Kolesnikov, the pianist making ‘a palace of sound built by your own imagination’”, The Guardian, 9 September 2021, https://www.theguardian.com/music/2021/sep/09/pavel-kolesnikov-the-pianist-making-a-palace-of-sound-built-by-your-own-imagination, accessed 11 September 2021.
— Pavel Kolesnikov
Pavel Kolesnikov on historical instruments
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The nature of music
“A verbal art like poetry is reflective; it stops to think. Music is immediate, it goes on to become.” – W. H. Auden, English Poet Auden, Wystan Hugh (1988) The Complete Words of Auden, Princeton University Press, vol. 3, p. 251.
Szymanowski on RavelThe Polish composer Karol Szymanowski wrote of the French composer Maurice Ravel in 1925: Whether he writes a “Rapsodie espagnole”, “Mélodies grecques”, or the almost Viennese “La Valse”, he always remains one of the foremost fascinating representatives of the genius of his race. He assembles all the fundamental elements of that most beautiful culture in […]
Claude Debussy: Suite BergamasqueI. Prélude II. Menuet III. Claire de Lune IV. Passepied The term “bergamasque” refers to the ancient city of Bergame, located forty kilometres east of Milan. The character of its citizens (“rustic and clumsy”) was personified by a series of dances and the Italian comic character Harlequin (1572). This comic character is evident particularly in […]
Vaughan Williams on Hubert ParryVaughan Williams studied composition with Dr. Hubert Parry at the Royal College of Music, London. Vaughan Williams recalled: Many … entirely misunderstood Parry; they were deceived by his rubicund bonhomie and imagined that he had the mind, as he had the appearance, of a country squire. The fact is that Parry had a highly nervous […]
Purpose of the artsComposing for elephantsIgor Stravinsky’s Circus Polka: For a Young Elephant to be performed by young elephants (a collaboration with American choreographer George Balanchine. It ended up being performed by older elephants – the main star being Big Modoc (41 years of age). Each elephant wore a join pink tutu. Source: Dixon, Gavin “Igor Stravinsky’s pachyderm polka”, Classic […]
October from The Seasons (Tchaikovsky)Title: “October” from The Seasons, op. 37 bis Composer: Pytor Illich Tchaikovsky Arranger: Greg Smith Instrumentation: Cello quartet Product medium: PDF score and parts Sample:
Working hard for music“Now we know that you are gifted, very gifted, but you must work very hard, because someone who is gifted has to work harder than someone who is not, and you will see how boring it is to work hard at music.” Ravel to Manuel Rosenthal after a concert. Cited in: Nichols, Roger (1987) Ravel […]
Franz Joseph Haydn: Piano Trio (Hob. XV, No. 25) “Gypsy Trio”I. Andante II. Poco Adagio III Rondo all’Ongarese Chamber music in the eighteenth century was written for and performed for the aristocracy. Music was an aesthetic pleasure: thus an emphasis was placed on musical balance and clarity in the context of an expressive style: evident particularly in the first two movements of this trio, which […]
Context and beauty“When you’re young, you can be taken with the impulse of the moment and the beauty of a phrase, but the older you get, the more you see that the phrase is only beautiful because of the context within which it works. The melody is only the outward manifestation of something quite deep inside and […]