I feel like a ghost wandering in a world grown alien. I cannot cast out the old way of writing, and I cannot acquire the new. I have made intense effort to feel the musical manner of today, but it will not come to me. Unlike Madame Butterfly with her quick religious conversion, I cannot cast out my musical gods in a moment and bend the knee to new ones. Even with the disaster of living through what has befallen the Russia where I spent my happiest years, yet I always feel that my own music and my reactions to all music, remained spiritually the same, unendingly obedient to trying to create beauty.
R. Mitchell, Sergei Rachmaninoff, London, Reaktion Books, 2022, p. 12.
– Sergei Rachmaninoff
Rachmaninoff on modernity versus his musical style
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A Cantata for Dogs
Between 1911 and 1914, Nicolas Medtner stayed at Khlebnikovo, a house on the Osipov estate in the village of Trakhaneyevo. There were visits by the family, brothers Karl and Alexander and sister Sofiya, with their children. Karl’s daughter Vera brought her dachshund with her and would join her uncle Kolya [Nicolas] and Flix [Nicolas’ fox […]
Debussy improvisingDebussy would sit himself down without speaking at the piano of the little study-cum-library and start to improvise. Anyone who knew him can remember what it was like. He would start by brushing the keys, prodding the odd one here and there, making a pass over them and then he would sink into velvet, sometimes […]
Horowitz’s practice regimeThe piano technician, Franz Mohr, observed: Horowitz was consistent in all that he did. His rehearsal was always on Saturday at 4:00 p.m., his performance was on Sunday. And I always had plenty of time to prepare his piano for the concert. Of course Horowitz would have never stolen my preparation time in order to […]
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Knowing is not enough“Knowing is not enough; we must apply. Willing is not enough; we must do.” Johann Wolfgang von Goethe, German poet and philosopher Cited at: QuotationsBook
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The development of concert life in LondonThe public concert, as an institution, dates from England from the Restoration period [from the 1660s]; previously music, unless ecclesiastical or dramatic in character, had been essentially the art of a small circle. The largess of aristocratic patronage and the profits of publication were the composers’ rewards. But with the middle of the seventeenth century […]
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Beethoven our artistic brotherIt is the function of art to bring to us emotions, thoughts, states of mind and heart which are larger and more exalted and more intense than those we can produce ourselves, but which we can still recognize as possible within the compass of our imagination, still lying within our capacity for thinking and feeling. […]
