Articles, papers, program notes

ARTICLES & PAPERS:

Performance practice issues in Russian Piano Music

ABSTRACT The nineteenth and twentieth centuries witnessed the rapid growth of musical culture in Russia. This resulted in a large repertoire …

PROGRAM NOTES:

Anton Arensky: Trio in D minor for violin, cello, and piano (op. 32)

I. Allegro moderato II. Scherzo: Allegro molto-Meno Mosso-Allegro molto III. Elegia: Adagio IV: Finale: Allegro non troppo Accounts of Arensky …

Claude Debussy: Rêverie

Fromont published Rêverie years after Debussy had given it to them. By this time, Debussy’s opinion of it had changed: …

Claude Debussy: Suite Bergamasque

I. Prélude II. Menuet III. Claire de Lune IV. Passepied The term “bergamasque” refers to the ancient city of Bergame, …

Dmitri Shostakovich: Piano Trio No. 2, Op. 67

I. Andante-Moderato II. Allegro non troppo III. Largo IV. Allegretto Having recently finished his Eighth Symphony, Shostakovich stated work on …

Eugène Ysaÿe: Violin Sonata No. 4

Eugène Ysaÿe (1858-1931) was a Belgian violinist, conductor and composer. Carl Flesch described him has “the most outstanding and individual …

Franz Joseph Haydn: Piano Trio (Hob. XV, No. 25) “Gypsy Trio”

I. Andante II. Poco Adagio III Rondo all’Ongarese Chamber music in the eighteenth century was written for and performed for …

Franz Schubert: Six Moments Musicaux (Musical Moments), op.94

(i) Moderato (C major) (ii) Andantino (A-flat major) (iii) Allegro moderato (f minor) (iv) Moderato (c-sharp minor)/ (v) Allegro vivace …

Frédéric Chopin: Nocturnes

Op. 9, no. 2 (Eb major)Op. 15, no. 3 (G minor)Op. 27, no. 1 (C-sharp minor)Op. 27, no. 2 (Db …

Jean Sibelius: Bagatelles (op. 97)

(i) Humoresque I (ii) Song (iii) Little Waltz (iv) Humorous March (v) Impromptu“Never write an unnecessary note. Every note must …

Johann Sebastian Bach: Sonata for violin and obbligato keyboard in A major (BWV 1015)

I. Dolce II. Allegro assai III. Andante un poco IV. Presto Prior to J. S. Bach, the harpsichord in ensemble …

Maurice Ravel: Menuet sur le dom d’Haydn; Menuet Antique; Pavane pour une infante défunte; Sonatine

Ravel’s style — elegant, and refined — was highly influenced by eighteenth classicism (e.g., Mozart) and the early French keyboard …

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Beethoven conducting
On 5 April 1803 Beethoven conducted an concert of his own works: the First and Second Symphonies; The Third Piano Concerto, and his oratorio Christ on the Mount of Olives. It is likely that the he directed the piano concerto (which he played) from the piano. Ignaz von Seyfried gave an account of Beethoven’s conducting […]
Feeling Fine
Title: Feeling Fine Composer: Greg Smith Instrumentation: Piano duet Level: 1 (5 finger position) Product medium: PDf score & MP3 accompaniment track (Audio sample of accompaniment track only)
Brahms’ ladies choir
Brahms formed a Ladies Choir of about fifty singers: “Fix oder Nix” was the motto he coined for them – “Bang up or nothing”; and he promised to write all the music they could sing if they would meet regularly, and always on time.  He even drew up a set of humorous rules.  “Avertimento” it […]
The Stars Looked Tenderly Upon Us (Tchaikovsky)
Title: The Stars Looked Tenderly Upon Us (Нам звезды кроткие сияли), op. 60, no.12 Composer: Pytor Il'yrich Tchaikovsky (arr. Greg Smith) Instrumentation: Cello and piano Product medium: PDF score and part Sample:
Rachmaninoff as a young student
From 1882, nine-year-old Rachmaninoff moved to St Petersburg to study at the conservatoire. In the comfortable knowledge that, even if he did not practice, his efforts were more successful than those of his classmates, young Sergei grew lazier and lazier. In the end he did nothing at all, showed a marked preference for shirking his […]
Form and content
“I think that one way toward a more intelligent and involved appraisal is through a connection with the pieces, and that one way to develop that connection is to talk about what the pieces mean to people who have spent a lot of time with them: the content, if you will. This approach can also […]
Music as an emotional science
Music sets up a certain vibration which unquestionably results in a physical reaction. Eventually the proper vibration for every person will be found and utilized. I like to think of music as an emotional science. — George Gershwin Daniel Albright. Modern and Music: An Anthology of Sources. Chicago, The University of Chicago Press, p. 388.
Brahms on Schubert
My love for Schubert is a very serious one, probably because it is no fleeting fancy. Where is genius like his, which soars heavenwards so boldly and surely, where we see the few supreme ones enthroned. He is to me like a son of the gods, playing with Jupiter’s thunder, and also occasionally handling it […]
Luther on music
“I am not satisfied with any man who despises music. For music is a gift of God. It will drive away the devil, and makes people cheerful. Occupied with it, man forgets all anger, unchastity, pride, and other vices. Next to theology, I give music the next place and highest praise.” – Martin Luther Cited […]
After music from a bridge, why not a tower?
To mark the 400th anniversary of Henry Hudson's voyage up the Hudson river in New York, composer Joseph Bertolozzi sampled sounds of percussively hitting various parts of the bridge.  He now has his sights set on using the Eiffel Tower.  Wakin, Daniel, ""After Music from a Bridge, Why Not A Tower?"", Arts Beat, 8 July […]