The ghost of Paganini

The Belgian violinist Eugène Yasÿe frightened Busoni by playing the Bach Chaconne and Paganini Caprices on a kit violin in the darkened passages of a hotel.  ”It was like the ghost of Paganini, purposely exaggerating all the worst mannerisms of the typical virtuoso, and Busoni could never forget the sight of Ysaÿe’s vast bulk and the grotesque contrast of the tiny little violin. It was a scene from an unwritten tale of Hoffmann…”

Edward J. Dent (Ferruccio Busoni: A Biography, Oxford University Press, 1933). Cited at: http://mouthfulsfood.com/forums//lofiversion/index.php/t16677.html

Posted

in

by

Greg

Tags:

, , ,

Featured Content

The tone of the piano at the turn of the nineteenth century
In 1796, the piano maker Johann Andreas Streicher sent Beethoven one of his pianos as a gift.  Beethoven's reply sheds some interesting light on the tone of the piano at this time: There is no doubt that so far as the manner of playing is concerned, the pianoforte is still the least studied and developed […]
Abstraction VIII
Title: Abstraction VIII Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:
Golliwog’s Cakewalk from Children’s Corner Suite (Debussy)
Title: Golliwog’s Cakewalk (from Children’s Corner Suite) Composer: Claude Debussy Arranger: Greg Smith Instrumentation: Cello quartet Product medium: PDF score and parts Sample:
Your Words, Lord, are Spirit and Life – Psalm 18 (19)
TITLE: Your Words, Lord, are Spirit and Life TEXT: Psalm 18 (19): 8-10, 15 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano PRODUCT MEDIUM: PDF score and part SAMPLE:
Conducting gloves
The practice of wearing white gloves whilst conducting was common in the nineteenth century. The Musical times reported in July 1884 that: “A German conductor,” we are told, “in order that the public may be more deeply impressed with the feeling of grief intended to be produced by the Funeral March in Beethoven’s ‘Eroica Symphony,’ wears […]
The importance of good texts
Mozart described the importance of good operatic texts in a letter regarding The Abduction from the Seraglio (Die Entführung aus dem Serail) in a letter to his father in 1781: …the Poesie is totally in tune with the character if this stupid, coarse, and malicious Osmin [the servant character] – and I am well aware […]
To burn with desire
“To burn with desire and keep quiet about it is the greatest punishment we can bring on ourselves.” — Federico García Lorca, Blood Wedding and Yerma A. Flores (ed.), Great Spanish Plays in English Translation, New York, Dover, 1991, p.441.
Brahms’ post-concert adventure
Brahms was invited to the family of one of his students, Fräulein von Meyensbug, in Detmol : The Meysenbug ladies proved very prim and conventional. Brahms was ill at ease. He was so afraid of shocking his aristocratic hostesses that he hardly knew what to say or how to behave. Their young nephew Carl, however, […]
Beethoven’s piano
Franz Liszt owned Beethoven’s Broadwood piano.
When precision isn’t enough
Debussy was well known for wanting precision in performance. However, it was not always quite enough: Some time in 1917 Debussy went to hear the Suite played by a famous pianist. ‘How was it?’ I asked him on his return. ‘Dreadful. He didn’t miss a note.’ ‘But you ought to be satisfied. You who insist […]