Any room for me?“Arthur Rubinstein was standing in the lobby of a concert hall proudly watching the audience filing in to hear one of his recitals. Finally, when the last one had gone in, Rubinstein made a move to enter. An usher blocked his way. ‘Sold out, mister’, he said, and to reinforce his words he pointed to […]
A simple requestHumorists Ilf and Petrov described a concert by Rachmaninoff In New York (November 1935): The night we went to hear him he appeared tall, bent, and thin, with a long sad face, his hair closely clipped; he sat down at the piano, separated the folds of his old-fashioned back swallowtail, adjusted one of his cuffs […]
Pavel Kolesnikov on historical instrumentsFor me, one of the ultimate goals of a performance is to make pieces come across as something new, something unexpected and fresh. As soon as you start working with historical instruments, you are jeopardising this aspect. It is very difficult to get away from that; some performers manage it magically, but I don’t see […]
George Sand on Chopin’s compositional process“His creation was spontaneous and miraculous. He found it without seeking it, without forseeing it. It came on his piano suddenly, complete, sublime, or it sang in his head during a walk when he was impatient to play it to himself. But then he began the most heart-rending labor I ever saw. It was a […]
Beethoven’s shuttersBeethoven moved often, and his landlords were not always keen to have him back. While he was working on the Ninth Symphony in 1923, Beethoven couldn’t stand his present lodgings in Hetzendorf, as the landlord, Baron Pronay, constantly bowed to him when they met.He sought lodgings where he had previously stayed in Baden. The landlord […]
Stokowski’s rehearsal processAbraham Chasin performed the premier of his Second Piano Concerto with the Philharmonic Orchestra in March 1933. It was conducted by Leopold Stokowski: At the first one [rehearsal], as I walked to the piano I was surprised to see Stokowski’s assistant, Artur Rodzinski, on the podium; Stokowski was sitting in solitary elegance in one of […]
A lock of Beethoven’s hairOnce a devoted admirer, wife of a Vienna pianist, longed for a lock of the composer’s outrageously unkempt hair, and asked a friend to get her one. At his suggestion, Beethoven, who was a practical joker of boorish capabilities, sent her a tuft from the chin of a goat. The trick was discovered, and the […]
The musical mosaic“Music is for me like a beautiful mosaic which God has put together. He takes all the pieces in his hand, throws them into the world, and we have to recreate the picture from the pieces.” Jean Sibelius, quoted by Jalmari Finne to Anna Sarlin, 28th June 1905. Cited at: www.sibelius.fi [accessed 31 Mar 2010].
Feeling FineTitle: Feeling Fine Composer: Greg Smith Instrumentation: Piano duet Level: 1 (5 finger position) Product medium: PDf score & MP3 accompaniment track (Audio sample of accompaniment track only)
The Lord is my Light (Setting II) – Psalm 26 (27)Title: The Lord is my light (Setting II) Text: Psalm 26 (27): 1, 4, 13-14. R. v.1 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample: