Leopold Stokowski gave the Philadelphia premiere of Ravel’s Bolero as an “encore” at a Friday afternoon concert. The newspaper critics had all left the hall, and so once again word of mouth had to prove its effacy, for at the Saturday night concert, after the last number, the audience applauded with unusual fervour and would […]

Title: Air IV Composer: Greg Smith Instrumentation: Piano Duet Level (Piano I): 1.2 – five finger position extended to 6/4 through to octave (left and right hands) Product medium: PDF score & MP3 accompaniment track (Audio sample of accompaniment track only)

Puccini custom built a villa in the seaside resort of Viareggio. Here, Puccini had a “rain machine that sprinkled water from the trees, beneath which he would stand with an open umbrella, cooling himself from the summer heat. Source: Wilson, Conrad (2008) Giacomo Puccini. London: Phaidon Press, p.205.

“The present time has to a great extent liberated itself from symphonic form – from formalism. This started when the concert halls became empty, because that form has nothing to do with human beings. I believe that the present time is progressing.” Jean Sibelius, to Jussi Jalas, 17th July 1946 Cited at: www.sibelius.fi [accessed 31 […]

“I am not suited to ‘writing music’. All has to be experienced.” -Jean Sibelius Cited in:Goss, Glenda (2009) “Sibelius”. Chicago: The University of Chicago Press, p. 6.

The lesson which life constantly repeats is to ‘look under your feet.’You are always nearer to the divine and the true sources of your power than you think.The lure of the distant and the difficult is deceptive.The great opportunity is where you are.Do not despise your own place and hour.Every place is under the stars.Every […]

Title: Blessed are they who hope in the Lord (setting ii) Text: Psalm 1:1-2, 3, 4, 6 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part SAMPLE:

You know what I think about metronome marks: they’re right for a single bar, like “roses, with a morning life”. Only there are “those” who don’t hear music and who take these marks as authority to hear it still less! But do what you please. — Debussy, Letter to Jacques Durand of 9 October 1915 […]

In 2010, Violinist Nikolaj Znaider performed Elgar’s Violin Concerto on the same 1741 violin in which Kriesler premiered the work on a hundred years before. Znaider was not worried about comparisons to Kriesler’s original performance: “he way I think of music is that it really is something that is played in the moment – it’s […]

Martinu on creating beautiful music: “It must be beautiful, or it wouldn’t be worth the effort.” Cited in: Calum MacDonald, “Bohuslav Martinu: Cosmopolitan Dreamer”, BBC Music, August 2009, p.45.