Schubert’s progress

Schubert’s report card in in the Music of the Court Chapel Choir-Boys in the I. & R. Seminary, 1st term, 1809:

Name Morals Studies Singing Pianoforte Violin Remarks
Schubert
Franz		 v. good good v. good good v. good A musical talent

Report card for the Scholars of the First Grammar Class at the University Preparatory School, first and second terms.

Name
and
Age of
the Youth		 Country,
Birthplace,
Domicile		 Name and
Occupation of Parents		 Morals Application Progress Stipendiary
Foundation
Scholar,
Paying
Scholar		 Remarks  
Religious
Instruction		 Latin Language
and style		 Mathematics Natural History and Physics Geography
and History		 Greek  

Schubert
Franz

11

 Orientation
No.
City 796		 Franz,
Schoolmaster

1

1

1

1

1

1

1

1

1

1

1

1

1

1

—

—

 Foundation Scholar,
I. & R.
Seminary		    

Choir Boys of the I. & R. Court Chapel, Second Term 1809:

Name Morals Studies Singing Violin Pianoforte Remarks
Schubert
Franz		 g. g. v.g. v.g.  v.g. A special
musical talent.

Source: Deutsch, Otto Erich (1947) The Schubert Reader: A Life Of Franz Schubert in Letters and Documents. Translated by Eric Blom. New York, W. W. Norton, p. 12-13.

Posted

in

by

Greg

Tags:

,

Featured Content

Rossini’s salad recipe
“Take the oil from Provence, English mustard, vinegar from France, a little ‘lemon, pepper, salt, beat and mix together; then add a few truffles, cut into thin slices. Truffles gives this dressing a sort of halo, made especially to fascinate a glutton. The Cardinal Secretary of State, who I met in recent days, gave me […]
Love Letter (The Boys in the Boat)
Composer: Alexandre Michel Gerard DesplatArranger: Greg SmithTitle: “Love Letter” from The Boys in the BoatInstrumentation: Piano solo Available from Sheet Music Direct and Sheet Music Plus
The soloist will get his way
Pianist Freddy Kempf on the recording process: Solo recording is the most indulgent type … it’s 90 per cent down to me. The producer can shout at me all he likes, but if I am set on doing it my way, there’s few people who can stop me! – Freddy Kempf, in an interview with […]
Artists and originality
Is genius original? What is original? Originality wasn't a must in Mozart's day. He was like everyone else, only more so. Like everyone else – but no one was like him. Artists don't necessarily feel more deeply than you or me; it's just that they can take the fugitive feelings we all recognize and congeal […]
I’ll Softly Sigh
Title: I’ll Softly Sigh Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:
Beethoven as a boy
In his Beethoven: Biography of a Genius, Marek provides an insight into Beethoven as a boy: The boy was looking out of the window, his head cradled in his hands.  His mien was serious, his glance rigid. Cäcilia Fischer came along the courtyard and saw him. “How are you, Ludwig?” she shouted up to him.  […]
At the core of Beethoven’s “Diabelli” Variations, an esoteric and astonishing piano piece lasting some 50 minutes, is one of the intriguing mysteries of music history. Why did Beethoven, during the difficult last decade of his life, when he was deaf, chronically ill and often in financial straits, become nearly obsessed with writing an extensive […]
Miniature I
Title: Miniature I Composer: Greg Smith Instrumentation: Piano duet Level: Piano I – Level 1 (5 finger position, left and right hands) Product medium: PDF score & MP3 accompaniment track (Audio sample of accompaniment track only)
The Poet and the Muse
Poet, you are no liar. The world that you imagine is the real one. The melodies of the harp alone know truth, and in this life they can be our only true guides. Cavafy, “The Poet and the Muse”
The musical mosaic
“Music is for me like a beautiful mosaic which God has put together. He takes all the pieces in his hand, throws them into the world, and we have to recreate the picture from the pieces.” Jean Sibelius, quoted by Jalmari Finne to Anna Sarlin, 28th June 1905. Cited at: www.sibelius.fi [accessed 31 Mar 2010].