Title: Deereeree the Wagtail, and the Rainbow Text: Aboriginal dreamtime legend. Based on the account by Catherine Langloh Parker. Composer: Greg Smith Instrumentation: Voice, Flute, 2 Clarinets in Bb, Cello and Piano Product medium: PDF score and part Sample:

“The creative urge is the demon that will not accept anything second rate.” —Agnes de Mille (1905-1993), American dancer and choreographer. Gardner, Kara Anne. Agnes de Mille: Telling Stories in Broadway Dance. United States, Oxford University Press, 2016.

Title: Quasi Dance II Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLE:

The conductor Stowkoski was always in complete control of his orchestra: He never lost his tempoer with the orchestra, never raised his voice.  On the contary, he would lower his voice for a subtle rebuke or a sarcastic comment. Schwar recalled Stokowski saying, “Second clarinet, don’t play notes – sing them.”  To the first violist, […]

One fearful winter’s day in Vienna, in 1794, the snow standing deep and still falling fast, the traffic almost entirely suspended in the streets, Countess Teresa Brunswick, then a girl of fifteen, was waiting for Beethoven’s arrival, to give her her pianoforte lesson. Weather never stopped him; but when he appeared it was obvious that […]

Title: Abstraction V Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLES:

“Anton Bruckner had a chubby, fat pug dog named Mops,” Fritz Kreisler, a former pupil of Bruckner’s once recalled. “He would leave us with Mops munching our sandwiches while he himself hastened off to luncheon. We decided we’d play a joke on our teacher which would flatter him. So while the Meister was away, we’d […]

Samuel Sebastian Wesley received great reviews for his conding at Gloucester’s annual Three Choir Festivals in 1865. An critic in The Musical Times wrote in the October issue: We have said nothing of the orchestra during these performances, for in truth the perfect manner in which the whole of the instrumental portions of the works […]

Chopin can hardly write anything now but that we feel like calling out in the seventh or eighth measure, “It is by him!” – Robert Schumann, 1838 P. Kildea, Chopin’s Piano, London, Allen Lane, 2018, p. 43.