In his book, A Tour in Germany, and some of the Southern Provinces of the Austrian Empire, in 1820, 1821, 1822, published in Edinburgh in 1824, Sir John Russell describes Beethoven in 1821: The neglect of his person which he exhibits gives him a somewhat wild appearance.  His features are strong and prominent; his eye […]

Title: Oration XIV Text: St. Gregory the Theologian Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score Samples:

(250, 308, ‘How Caffeine Can Cramp Creativity’, ‘how-caffeine-can-cramp-creativity’, ‘ Caffeine can boost energy, reduce fatigue, and increase short term concentration and problem solving skills. However, creativity is haboured in a less focused mind: Creative insights and imaginative solutions often occur when we stop working on a particular problem and let our mind move on to […]

E. T. A. Hoffmann wrote in 1813 that instrumental music is the most romantic of all the arts  – one might almost say, the only genuinely romantic one – for its sole subject is the infinite.  The lyre of Orpheus opened the portals of Orcus – music discloses to man an unknown realm, a world […]

ARTICLES & PAPERS: PROGRAM NOTES:

You know what I think about metronome marks: they’re right for a single bar, like “roses, with a morning life”. Only there are “those” who don’t hear music and who take these marks as authority to hear it still less! But do what you please. — Debussy, Letter to Jacques Durand of 9 October 1915 […]

Gershwin was often the life of a party, entertaining on the piano.  He said: “The trouble is, when I don’t play at a party I don’t have a good time.” Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon Press, p.47.

“There is also in this [nineteenth-century romantic] music an extraordinary sense of control over the passage of time; a moment will be held still as if suspended, and then released with a rush. Einstein has told us that time is relative, flexible and elastic; I have noticed these qualities whenever I have tried to play […]

“In order for music to free itself, it will have to pass over to the other side – there where territories tremble, where the structures collapse, where the ethoses get mixed up, where a powerful song of the earth is unleashed, the great ritornelles that transmutes all the airs it carries away and makes return.” […]

Puccini was a very sociable man, quote often putting this before his composing.  Even when he was working hard, he maintained an active social life: With the opening of the 1894-1895 season not far way, Puccini began steady work on La Bohème in Torre.  But he also needed a place to relax, so his “second […]