Waste no note“Never write an unnecessary note. Every note must live.” Jean Sibelius, in a radio interview with Kalevi Kilpi, 1948) Cited at: www.sibelius.fi [accessed 31 Mar 2010].
Britten on composing“Composing is like driving down a foggy road toward a house. Slowly you see more details of the house – the colour of the slates and bricks, the shape of the windows. The notes are the bricks and mortar of the house.” – Benjamin Britten. Cited in: Jarski, Rosemarie (2005) Great British Wit. London: Ebury […]
Not up to form, because …Harvey Sach’s comments on pianist Author Rubinstein at age 13: …it is clear that Arthur’s practising began to deteriorate when he was about fourteen years old. He would mechanically play through one-handed exercises and use his free hand to feed himself chocolates or cherries, while he read a book that he had propped up on […]
The experience of beauty“The experience of beauty … consists of finding a spiritual value (truth, happiness, moral ideals) at home in a material setting (rhythm, line, shape, structure) and in such a way that, while we contemplate the object, the two seem inseparable.” – John Armstrong, The Secret Power of Beauty.
Part of Your World“Any Broadway musical would be lucky to include a single number this good.” — Janet Maslin, in The New York Times on Alan Menken/Howard Ashman’s “Part of Your World,” from The Little Mermaid. Darryn King, “Alan Menken: The Man Who Relaunched Disney’s Fortunes with Songs,” The Sydney Morning Herald, 16 July, 2016. http://www.smh.com.au/good-weekend/alan-menken-the-man-who-relaunched-disneys-fortunes-with-hit-songs-20160714-gq5o6v.html. Accessed 16 July 2016.
The ideal and the played performanceSome conductors put all the emphasis on the melodic line, while others are fanatics about rhythm, but there are very few conductors who are uniquely able to look at the score and hear every part before it actually happens. With the very best of conductors, it’s as though there are two performances going on simultaneously. […]
The significance of the individual “You are an extremely valuable, worthwhile, significant person even though your present circumstances may have you feeling otherwise.” – James Newmann, American mathematician
The logic of opera in English“Opera in English, is about as sensible as baseball in Italian.” – H. L. Mencken, twentieth century American journalist, critic, and satirist. Peter, Lawrence J. (ed) (1977) Quotations for Our Time
A little help with a fugueRachmaninoff had a little help with a fugue exam at the Moscow Conservatory in 1891: By mistake the examinations of Rachmaninoff in both piano and fugue were scheduled for the same day and hour, so his fugue examination was transferred to the following day, when he was to be examined alone, the rest of the […]
Wagner’s observations on the English and oratoriosWagner attended a performance of Messiah at Exeter Hall in London with a chorus of 700 voices. He recorded in his autobiography: It is here that I came to understand the true spirit of English Protestantism. This accounts for the fact that an oratorio attracts the public far more than an opera. A further advantage […]
