The effect of art

“There’s a phrase I’ve often heard from audience members at popular musicals (but, oddly, never anywhere else): the show, they’ll say, “really took me out of myself”.  They are saying something basic and profound about the ecstasy of art, the act of being taken out of one’s normal state to a different level of being.  It may be an emotional or intellectual rapture, it may please or provoke, and it surely effects an alteration, even if only for a few hours.  That is the great and enduring power and joy of art: it continually expands the boundaries of one’s knowledge and the limits of what one may become.”

– Deborah Jones, “Grand Gestures”, The Australian, 1 October, 2011.

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It’s not hard work
“Talent labors, genius creates.” Florestan (one of Schumann’s characters) Robert Schumann,Gesammelte Schriften über Musik und Muisker  (Leipzig, 1854), IV.  Cited in Weiss, Piero & Taruskin, Richard (2008) Music in the Western World: A History in Documents.  California: Thomson, p. 306.
On the Day I Called for Help – Psalm 137 (138)
Title: On the day I call for help Text: Psalm 137 (138): 1-3, 6-8. R. v.3 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:    
Communicating one’s dreams
“Whoever communicates to his brothers in suffering the secret splendour of his dreams acts upon the surrounding society in the manner of a solvent and makes all those who understand him, often without their realisations, outlaws and rebels.” Pierre Quillard (symbolist poet), 1892.
Ode I
Title: Ode IComposer: Greg SmithInstrumentation: PianoPerformer: Greg Smith (January 2010) Your browser does not support the audio element. Sheet music
Ravel’s compositional process
Robert de Fragny recalled a conversation with Ravel about his compositional process: The G major Concerto took two years of work, you know.  The opening theme came to me on a train between Oxford and London. But the initial idea is nothing.  The work of chiseling then begun.  We’ve gone past the days when the […]
Growing up in a bell tower
Czech composer Bohuslav Martinů was born and spent most of his childhood in a church tower in Polička, on the borders of Bohemia and Moravia.  Martinů recalled that the panoramic view encapsulated “the vast and boundless space I am always searching for in my music.” Source: Calum MacDonald, “Bohuslav Martinů”, BBC Music, August 2009, p.44.
1.2: The Fundamental Vibration of Music
1 1 1   For Pythagoras (c. 570 BCE – c. 495 BCE), the ancient Greek philosopher and mathematician, numbers were not merely a mathematical phenomena, but were representative all levels of existence, from the individual, to society, to the universe as a whole. In Metaphysica (Metaphysics), Aristotle wrote: Pythagoreans applied themselves to mathematics, and […]
Music: the product of feeling and knowledge
Music is at once the product of feeling and knowledge, for it requires from its disciples, composers and performers alike, not only talent and enthusiasm, but also that knowledge and perception which are the result of protracted study and reflection. Hector Berlioz, A Travers Chants. Cited in I. Lipsius, Thoughts of Great Musicians, London, Augener, […]
Recollections from Gallipoli
Title: Recollections from Gallipoli Text: Ellis Salis Music: Greg Smith Instrumentation: Tenor and piano Product medium: PDF score Sample:
Review of Pablo Casals
A Review written in El Alcance of the cellist Pablo Cassals: His bow, sometimes sweet as a voice from heaven, at other times vibrant and robust, produces such a sonorous combination of voices and tones that it seems that the body of his violincello is the magic secret of sublime harmonies capriciously transformed at the […]