Title: The Battle of the Somme (silent movie score) Composer: Greg Smith Instrumentation: Piano Product medium: Full score (PDF download) – 80 pages     Related products:     – The Battle of the Somme (MP3) Background: In 1916 France was struggling to fend off German occupation.  It had become apparent that to break the stalemate Britain […]

Vaughan Williams wrote a series of articles for the Royal College of Music magazine entitled “Who Wants the English Composer?”. In these, he expresses his advocacy for an exploration of the English musical style: We English composers are always saying, “Here are Wagner, Brahms, Grieg, Tchaikovsky, what fine fellows they are, let us try and […]

The first four notes of Beethoven’s Fifth Symphony are the morse code for the letter V.

Mozart’s Magic Flute uses a glass harmonica or keyed glockenspiel to represent a set of magic bells. “Mozart’s original score for the 1791 opera The Magic Flute called for a glass harmonica or keyed glockenspiel to represent a set of magic bells. The instruments were obscure even in Mozart’s day but more than 200 years after his […]

“The more horrifying this world becomes, the more art becomes abstract.” Paul Klee, Swiss painter Cited at QuotationsBook

When Handel travelled through Chester, on his way to Ireland, this year, 1741 (to give the first performance of Messiah), I was at the Public School in that city and very well remember seeing him [Handel] smoke a pipe, over a dish of coffee, at the Exchange Coffee House; for being extremely curious to see […]

Title: Preludes, op. 31 no. 2 & op. 57 no. 1 Composer: Anatol Liadoff Arranger: Greg Smith Instrumentation: Cello quartet Product medium: PDF score and parts Sample:

“There is no real teacher who in practice does not believe in the existence of the soul, or in a magic that acts on it through speech.” Allan Bloom (1987) The closing of the American mind: How higher education has failed democracy and impoverished the souls of today’s students.  New York: Simon Simon and Schuster, […]

“What comes from the heart, goes to the heart.” — Samuel Coleridge Taylor, English poet, critic and philosopher. Coleridge, Samuel (1856) Seven Lectures on Shakespeare and Milton. London: Chapman and Hall, page xlv

In 1928, Ravel delivered a lecture in Houston Texas. He mentioned the influence of Satie: Another significant influence – less than unique and derived in part from Chabrier – is that of Satie, who had a notable effect on Debussy, on myself and, to tell the truth, on the majority of modern French composers. Satie […]