Title: Abstraction XVIIIComposer: Greg SmithInstrumentation: PianoProduct medium: PDF scoreRelated products: – Abstraction XVIII (mp3 audio) Sample:

Poet, you are no liar. The world that you imagine is the real one. The melodies of the harp alone know truth, and in this life they can be our only true guides. Cavafy, “The Poet and the Muse”

Isaac Goldberg described Gershwin’s enthusiasm when conducting: He conducted not just with his baton, but with his cigar, his shoulders, his hips, his eyes and whatnot.  Nothing but a sense of propriety keeps him from leaping over the footlights and getting right into the show himself. Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon […]

‘”There are two golden rules for an orchestra: start together and finish together. The public doesn’t give a damn what goes on in between.” – Thomas Beecham, conductor.  Cited at: Quotationsbook

Title: Forever I will sing the goodness of the Lord (Setting I) Text: Psalm 88 (89) Composer: Greg Smith Instrumentation: SATB and organ     Related products:     – Forever I will sing the goodness of the Lord (SATB, brass, and organ) Product medium: PDF score and parts SAMPLE:

“Knowledge is a process of piling up facts; wisdom lies in their simplification.” Martin H. Fischer, German born American physician and author. Encore : A Continuing Anthology‬ (March 1945) edited by Smith Dent, “Fischerisms” p. 309.

“Learning makes a man fit company for himself.”   —  La Harpe Day, E. P. (1884) Day’s Collacon: An Encylopaedia of Prose Quotations.  International Printing and Publishing Office, p. 498.  Digitally archived at: https://books.google.com.au/books?id=Qo\_Mhkcu8iAC, accessed 8 September 2021. 

Rachmaninoff sent fellow composer/pianist Medtner his Corelli Variations.  He wrote: I played them here about fifteen times, but of these fifteen performances, only one was good.  The others were sloppy.  I can't play my own compositions!  And it's so boring! Not once have I played these all in continuity.  I was guided by the coughing […]

“Most performers pretty much ignore the audience – they play and go off … Don’t get me wrong. I worship these guys! But what will make someone who hardly knows about classical music listen to to Grigory Sokolov for two hours straight, and in total silence? you have to work your way up to that […]

Conductor James Levine on Tchaikovsky’s opera Eugene Onegin: Eugene Onegin is very special, an incredibly successful piece; there is nothing quite like it. The character of Tatyana is so extraordinary. Tchaikovsky absorbed certain things from Pushkin’s original poem, and then composed his own opera, which of course angered some other great Russian artists, like Stanislavsky […]