Richard Bach on perseverance“A professional writer is an amateur who didn’t quit.” — Richard Bach, American writer Applewhite, Ashton; William R. Evans, Tripp Evans, Andrew Frothingham (2003) And I Quote. Macmillan. Macmillan.
Abstraction ITitle: Abstraction Composer: Greg Smith Instrumentation: Piano Product medium: PDF score Sample:
I do not choose my listeners“I do not choose my listeners. What I mean is, I never write for my listeners. I think about my audience, but I am not writing for them. I have something to tell them, but the audience must also put a certain effort into it. But I never wrote for an audience and never will […]
Pieces to belong to performers“That’s what I find wonderful about music: there is always a secret left, pieces don’t belong to performers, you rent them!” – Joseph Moog, Pianist W. Boon, “Joseph Moog”, Pianistique, 5 November 2016, https://www.pianistique.com/home/english-interviews/15-interviews/75-joseph-moog, accessed 17 January 2022.
Pablo Casals’ obligation“I am a very simple man. I am a man first, an artist second. My first obligation is to the welfare of my fellow man. I will endeavour to meet this obligation through music, since it transcends language, politics and national boundaries.” – Pablo Casals, Spanish cellist. Source: pablocasals.com. Accessed 22 Jan 2013.
A Child is Born in BethlehemTitle: A Child is Born in Bethlehem. Five Christmastide arrangements for piano by Greg Smith Arranger: Greg Smith Instrumentation: Piano Product medium: PDF score Contents: A child is born in Bethlehem (Danish melody) High from the tree's green top (E. Horneman) In a basement black as coal (C. M. Bellman) Lovely is the blue sky […]
Two hands or oneAmerican pianist Seymour Lipkin, a student of Rudolf Serkin recalled a performance of Beethoven’s Hammerklavier Sonata Back in the 1970s I gave a recital at Curtis at Mr. Serkin’s invitation. I was playing the Hammerklavier in those years. Why, in my right mind … I should never have … but I did. There, sitting in […]
Ashkenazy on RichterPianist and conductor Vladimir Ashkenazy on his colleague Sviatoslav Richter: Richter magnetized me, like he did so many others, and I wouldn’t have missed his concerts for anything. I think he communicated more than anyone else complete devotion and sincerity to his art. When I look back, this is what attracted me most to him […]
Music in the very heart of noiseI frequently hear music in the very heart of noise. — George Gerswhin Goldberg, Isaac, and Garson, Edith. George Gershwin: A Study in American Music. United Kingdom, F. Ungar Publishing Company, 1958, p.139.
Hoffman on techniqueTechnic represents the material side of art, as money represents the material side of life. By all means achieve a fine technic, but do no dream that you will be artistically happy with this alone. There is a technic which liberates and a technic which represents the artistic self. All technic ought to be a […]