A courteous conductor

Brucker was invited by Hans Richter to conduct one of his symphonies with the Vienna Society of Friends of Music.

At the rehearsal he stood on the conductor’s platform, stick in hand, with a beatific smile on his face. The orchestra were all ready to begin, but he would not lift his stick to give the signal. Finally, Rosé, the concert master, said to him, “We are quite ready. Begin, Herr Bruckner.” “Oh, no,” he answered, “After you, gentlemen.”

W. Damrosch, My Musical Life, New York, Charles Scribner’s Sons, 1923, p. 353. Project Guttenberg (EBook #5887): https://www.gutenberg.org/files/58871/58871-h/58871-h.htm), accessed 17 October 2023.


Posted

in

by


Featured Content

The effect of audience reception on Stravinsky’s compositional process
Stravinksy on the public not particularly liking his music: Their attitude certainly cannot make me deviate from my path. I shall assuredly not sacrifice my predilections and my aspirations to the demands of those who, in their blindness, do not realize that they are simply asking me to go backwards … I could not follow […]
Feed the inner beast
Lou Dorfsman, design chief for CBS Radio and later the CBS Television Network for over 40 years, once said, “In reality, creativity is the ability to reach inside yourself and drag forth from your very soul an idea.” However, nothing comes from nothing. You must continuously feed the inner beast that sparks and inspires. I […]
Beethoven and the spider
Xaver Schydner von Wartensee, in the early days of meeting Beethoven, was curious about a tale he had heard about Beethoven and a spider. Before Schnyder had become acquainted with the immortal Master, he had read the well-known anecdote according to which, when Beethoven was practising the violin in his garret, a spider lowered itself […]
Mood lighting to boost creativity
A study published in the Journal of Environmental Psychology has concluded that the level of lighting in a room can impact the level of creative thinking. Anna Steidle and Lioba Werth concluded that “darkness increases freedom from constraints, which in turn promotes creativity.” A dark environment “elicits a feeling of freedom, self-determination, and reduced inhibition, […]
Energy from work
“The more work that you make, the more energy you have to make work.” – Garry Stewart, artistic director of the Adelaide-based Australian Dance Theatre. Edwards, Verity. “Dance maker with edge on top of world”, The Australian, 22 July 2011, p.7.  
Beethoven’s piano
Franz Liszt owned Beethoven’s Broadwood piano.
Anecdotes
QUICK LINKS Composers Instruments Interesting facts Performers and performances Personalities of the musicians See also: QUOTES COMPOSERS Quick links INTERESTING FACTS Quick links INSTRUMENTS Quick links PERFORMERS AND PERFORMANCES Quick links PERSONALITIES OF THE MUSICIANS Quick links
The Great Collapse (The Boy and the Heron)
Composer: Joe Hisaishi Arranger: Greg Smith Title: “The Great Collapse”, from The Boy and the Heron Instrumentation: Piano Solo Available from Sheet Music Direct and Sheet Music Plus.
Maurice Ravel: Menuet sur le dom d’Haydn; Menuet Antique; Pavane pour une infante défunte; Sonatine
Ravel’s style — elegant, and refined — was highly influenced by eighteenth classicism (e.g., Mozart) and the early French keyboard composers (e.g., Couperin). Stravinsky once described Ravel as a “Swiss watchmaker”, due to Ravel’s attention to detail. Ravel wrote: “I never put down a work until I have made absolutely certain that there is nothing […]
George Gershwin at the piano
The theatre director Rouben Mamoulian describes Gershwin’s playing: George at the piano was George happy … like a sorcerer celebrating his Sabbath.  He would draw out a lovely melody like a golden thread, then juggle it, twist it and toss it around mischievously, weave it into unexpected intricate patterns, and hurl it into a cascade […]