“Enthusiasm is the greatest asset in the world. It beats money, power and influence.” Henry Chester

“After doing nothing, I know no more delightful occupation of eating, eat properly, I mean. The appetite is for the stomach what love is for the heart. The stomach is the choirmaster who governs and operates a large orchestra of the passions. An empty stomach is the bassoon or flute in which discontent grumbles or […]

“It’s like, why move to Florida if you don’t like the sun?” says Menken when I visit his home in North Salem, an hour out of New York. “Music is a viscerally powerful medium, both on a bodily level and on an emotional level. There are intellectual components about it, but its basic strength comes […]

Vaughan Williams was commissioned to revise the hymn book of the Anglican Church: Hymns Ancient and Modern. This was amounted to a huge task, but beneficial to his compositional outlook. The study of folk music to ensure the “best” versions of tunes was stressed the importance of musical activity in all spheres of music. He […]

(i) Moderato (C major) (ii) Andantino (A-flat major) (iii) Allegro moderato (f minor) (iv) Moderato (c-sharp minor)/ (v) Allegro vivace (f minor) (vi) Allegretto (A-flat major) In 1929, Oscar Bie reflected on Schubert: That face! . . . It is the face of a teacher, but not of a strict one. The hair curls about […]

I confess that I live only in my surroundings and in myself. I can conceive of no greater pleasure than sitting in my chair at this desk and looking at the walls around me day by day and night after night. In these pictures I do not see what you see; in the trees outside […]

An old thing becomes new if you detach it from what usually surrounds it. — Robert Bresson, French filmmaker J. Butler, Star Texts: Image and Performance in Film and Television, Detroit, Wayne State University Press, 1991, p. 170.

Title: Abstraction XII Composer: Greg Smith Instrumentation: Piano Product medium: PDF score Sample:  

“I don’t mind telling you that I have written a tiny, tiny pianoforte concerto with a tiny, tiny wisp of a scherzo.  It is in B flat, and I have reason to fear I have worked this udder, which has always yielded good milk before, too often and too vigorously.” – Brahms on his Second […]

“His creation was spontaneous and miraculous. He found it without seeking it, without forseeing it. It came on his piano suddenly, complete, sublime, or it sang in his head during a walk when he was impatient to play it to himself. But then he began the most heart-rending labor I ever saw. It was a […]