Trombone and piano
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The decentralization (or de-hallification) of classical music
For generations, the main places to hear contemporary classical music have been the big institutions, primarily at downtown and university concert halls and opera houses, and sometimes in churches and other rather formal settings. That’s all changing. Young composers today are increasingly finding — or creating — outlets for their music in rock and jazz […]
Start with one noteRavel in conversation with Mme André Bloch: “I don’t have ideas. To begin with, nothing forces itself on me.” “But if there’s no beginning, how do you follow it up? What do you write down first of all?” “A note at random, then a second one and, sometimes, a third. I then see what results. […]
Writing music is easier than words"I would rather write 10,000 notes than one letter of the alphabet."' Beethoven. Letter, 28 November 1820. Cited in: Kelly, Henry & Foley, John (1998) Classic FM: Musical Anecdotes. London: Hodder & Stouhgtan, p.68.
Collaborative pianoPERFORMANCE BIOGRAPHY GREG SMITH Certifications and degrees: – 1996: Associate of Music, Australia (A. mus. A.) in piano performance – 1998: Licentiate of Music, Australia (L. mus. A.) in piano performance – 2001: Bachelor of Music, with honours, class I (University Medal). University of Newcastle. Double major in piano and composition. – 2003: Master of […]
Musicians in Dresden in 1720s”There was rivalry among the musicians in Dresden in the 1720s. Daniel Heartz describes some incidents: Silvius Weiss, the famous lutenist, saw his livelihood threatened when he was attacked by a French violinist named Petit, who attempted to bite off the top joint of his right thumb. On 13 August 1722 Veracini jumped to the […]
Shedding light on what is invisibleWhen we create something, whether it’s a one-woman show, a video animation, a poem, a song, whatever—we’re taking what’s inside of us and stepping it out. Now it can be shown or heard. Now it can be experienced, transmitted. Now it can be shared. When it’s shared, parts of us that were once invisible, hidden, […]
Air IITitle: Air II Composer: Greg Smith Instrumentation: Piano Duet Level: Piano I – level 1 (five finger positions, left and right hands) Product medium: PDF score & MP3 accompaniment track (Audio sample of accompaniment track only)
Beethoven’s compositional processBeethoven was revising Fidelio when he wrote to Georg Freiedrich Treitschke (who was helping to revise the libretto) (1): Now, of course, everything has to be done at once; and I could composer something new far more quickly than patch up the old with something new, as I am now doing. For my custom when I […]
The possibilities of creativity“The possibilities of creative effort connected with the subconscious mind are stupendous and imponderable. They inspire one with awe.” – Napoleon Hill, American author Quotations Book
Arnold on culture“Culture, the acquainting ourselves with the best that has been known and said in the world, and thus with the history of the human spirit.” Matthew Arnold (poet and scholar), Preface to Literature and Dogma (1873 edition), https://en.wikisource.org/wiki/Literature_and_Dogma/Introduction, accesssed 29 August 2021.
