In 1926, conductor Leopold Stokowski inserted the following into the Philadelphia Orchestra programs: The great conviction has been growing in me that the orchestra and conductor should be unseen, so that on the part of the listener more attention will go to the ear and less to the eyes. The experiment of an invisible orchestra […]

“I do not choose my listeners. What I mean is, I never write for my listeners. I think about my audience, but I am not writing for them. I have something to tell them, but the audience must also put a certain effort into it. But I never wrote for an audience and never will […]

My life involves endless hours of repetitive and frustrating practising, lonely hotel rooms, dodgy pianos, aggressively bitchy reviews, isolation, confusing airline reward programmes, physiotherapy, stretches of nervous boredom … punctuated by short moments of extreme pressure …perhaps most crushingly, the realisation that I will never, ever give the perfect recital. It can only ever, with […]

The following appeared in the Musical Times, August 1890: We read that “a Saxon engineer has invented an automatic machine, the object of which is to save conductors the physical part of their duties. By pressing a button the apparatus, which is provided with an arm holding a conducting-stick, can be made to beat with the […]

Title: “October” from The Seasons, op. 37 bis Composer: Pytor Illich Tchaikovsky Arranger: Greg Smith Instrumentation: Cello quartet Product medium: PDF score and parts Sample:

In 1928, Ravel delivered a lecture in Houston Texas. He mentioned the influence of Satie: Another significant influence – less than unique and derived in part from Chabrier – is that of Satie, who had a notable effect on Debussy, on myself and, to tell the truth, on the majority of modern French composers. Satie […]

“The highest result of education is tolerance.” – Helen Keller, Optimism (1903)

Brass Brass ensemble Trombone Piano Piano solo Piano method Orchestra and concert band Concert band Strings Cello and piano String ensemble Vocal and choral General Sacred Woodwind Bassoon

“I think that one way toward a more intelligent and involved appraisal is through a connection with the pieces, and that one way to develop that connection is to talk about what the pieces mean to people who have spent a lot of time with them: the content, if you will. This approach can also […]

“Only mediocrities progress. An artist revolves in a cycle of masterpieces, the first of which is no less perfect than the last.” – Oscar Wilde, in a letter to the editor of the Pall Mall Gazette, 22 September 1894