Vocal and choral

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Sacred
Numbering of psalms. Different translations of the psalms have been used. For consistency, the psalms are labelled by the Hebrew numbering first, followed by the Greek number in parenthesis.
The life of a pianist
My life involves endless hours of repetitive and frustrating practising, lonely hotel rooms, dodgy pianos, aggressively bitchy reviews, isolation, confusing airline reward programmes, physiotherapy, stretches of nervous boredom … punctuated by short moments of extreme pressure …perhaps most crushingly, the realisation that I will never, ever give the perfect recital. It can only ever, with […]
Part of Your World
“Any Broadway musical would be lucky to include a single number this good.” — Janet Maslin, in The New York Times on Alan Menken/Howard Ashman’s “Part of Your World,” from The Little Mermaid.  Darryn King, “Alan Menken: The Man Who Relaunched Disney’s Fortunes with Songs,” The Sydney Morning Herald, 16 July, 2016. http://www.smh.com.au/good-weekend/alan-menken-the-man-who-relaunched-disneys-fortunes-with-hit-songs-20160714-gq5o6v.html. Accessed 16 July 2016.
The state of opera: 1720s
In 1720 in Italy, opera was largely dictated by the egos of the singers, rather than considering the text, or the composer: The satirical writer Marcello wrote that the opera composer will hurry or slow down the pace of an aria, according to the caprice of the singers, and will conceal the displeasure which their […]
The Battle of the Somme
Title: The Battle of the Somme Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: MP3 download (25 tracks; 73:00) Related products: – Full score (PDF download). 80 pages. Background: In 1916 France was struggling to fend off German occupation. It had become apparent that to break the stalemate Britain may need to increase […]
The making of heroes and cowards
“Great occasions do not make heroes or cowards; they simply unveil them to the eyes of men.” – Brooke Westcott, Bishop of Durham, scholar, theologian Cited at Quotations Book
The worker and his object
“In all types of creative work the worker and his object become one, man unites himself with the world in the process of creation.” — Erich Fromm
Reich on modernism and tonality
American composer Steve Reich on Schoenberg and his compositional style: Schönberg is the beginning of the death of German Romanticism. It’s about deciding that we didn’t need harmonic organization. But this was music for a small cadre of listeners. I think Schönberg said, “In fifty years, the postman will whistle my tunes.” Well, it’s been […]
Work so that you don’t have to work
Herr Richter, the pianist, is going on a tour that will take him back to Holland, his native country – I have given him a letter introductionto the Countess Thun at Linz. – He also wishes to visit Salzbourg, so I gave him a 4-line note for you, my dearest father … He plays well […]
Harmann on orchestration
“To orchestrate is like a thumbprint. I can’t understand having someone else do it. It would be like someone putting color to your paintings.” – Bernard Hermann on orchestration. Hall, Roger L., A Guide to Film Music, p. 43.  Cited at Wikipedia.