Title: Wexford Carol Text: 12th century Irish Composer: 12th century Irish, arr. Greg Smith Instrumentation: SATB and piano     Related products:     – Wexford Carol – SATB and organ (PDF score) Product medium: PDF score and parts Sample:

“By and large, though, there are few, if any, bad side effects of music, and music can often work where no medication can.” – Oliver Sacks Cited in: Inge Kjemtrup, “The power of music therapy”, Pianist, Issue 59, April-May 2011. Warners Group Publications, p.66.

Igor Stravinsky contemplates the ultimate goal of an artist versus reality: “Art postulates communion [between the artist and the audience], and the artist has an imperative need to make others share the joy which he experiences himself. But in spite of that need, he prefers to direct and frank opposition to apparent agreement which is […]

The famous organist Reincken heard Bach play. Bach improvised for half an hour on the hymn “By the Waters of Babylon”.  Reincken said: “I thought such art was dead, but I see it still lives in you.” Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 58.

Title: Abstraction VII Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLES:

Cyril Smith recounts Rachmaninoff’s stage presence: Those who were fortunate enough to hear him play will almost certainly remember this very tall, melancholy figure, with his graying hair in a crew cut and his deeply-lined face set in a somber expression, walking unwillingly to the piano as though he hated the very sight of  it.  […]

As to what concerns the knotty question in general of how far instrumental music may go in the representation of thoughts and events, many are here too anxious in their attitude. We are certainly wrong if we believe that composers set out pen and paper to realize the miserable intention of expressing, describing, or painting […]

“You don’t get harmony when everybody sings the same note.” Doug Floyd, editorial editor of The Spokesman Review

It appears to me that the subject of music, from Machaut to Boulez, has always been its construction. Melodies of 12-tone rows just don’t happen. They must be constructed…. To demonstrate any formal idea in music, whether structure or stricture, is a matter of construction, in which the methodology is the controlling metaphor of the […]

Music theatre writer Oscar Hammerstein loved to play games.  His nephew recalls: There’s a family story about his game-playing. I can’t vouch for its authenticity, but it rings true. He was playing a very informal game of bridge with two of his collaborators, the composers Jerome Kern and Sigmund Romberg, and someone else one afternoon. […]