John Sublett (stage name, John Bubbles) was a tap dancer unable to read music.  He was chosen by Gershwin to perform the role of Sportin’ Life in Porgy and Bess.  However…. Rehearsing as Sporting Life, John Bubbles was a special problem.  He was so laid back as to be often absent when needed.  At one […]

Title: The Blue Danube (op. 314) Composer: Johann Strauss Arranger: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part (32 pages) Sample:

“I am always doing what I can’t do yet in order to learn how to do it”. – Van Gogh, painter, in a letter to Anthon van Rappard, 1885  

Ravel, touring America in 1928, was approached by George Gershwin for composition lessons.  Ravel refused, stating “you would only lose your own spontaneity and end up by writing bad Ravel!” Cited in:  James, Burnett (1983) Ravel: His Life and Times.  New York: Midas Books, p.120

Title: Quasi Dance II Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLE:

He [Brahms] sat down and began the sonata which had so impressed Joachim [a violinist].  As he played, a swift change transformed [Robert] Schumann’s impassive features.  The Master listened with growing interest, then suddenly sprang to his feet. “Please”, he cried.  “Will you wait just a moment? Clara -” He hurried to the door and […]

Benjamin Britten wrote the score to Instruments of the Orchestra, which would become the concert work, Young Persons Guide to the Orchestra. The theme to the score was based on a hornpipe from Purcell’s Abdelzer. Britten commented to the producer, Basil Wright, that “I was never really worried that it was too sophisticated for kids […]

What is Imagination? We talk much of Imagination. We talk of Imagination of Poets, the Imagination of Artists &c; I am inclined to think that in general we don’t know very exactly what we are talking about. Imagination I think especially two fold. First: it is the Combining Faculty. It brings together things, facts, ideas, […]

“For me, as a creative musician, composition is a daily function that I am compelled to discharge. I compose because I am made for that and cannot do otherwise … I am far from saying that there is no such thing as inspiration; quite the opposite. It is found as a driving force in every […]

In 1824, Schubert wrote a letter to his friend Schober concerning a general complacency about the role of art at the time: The idle time, which hinders the fulfillment of all greatness, destroys me too. Even golden verse is foolishly mocked by the people, no longer attentive to its powerful message. Only by the gift […]