Misprints remain“Some misprints remain on my scores, because for some reason I have always been in a rush to get the proofs to the publisher by the deadline. In the orchestral parts everything has usually been corrected.” Jean Sibelius, to Jussi Jalas, 27th July 1942 Cited at: www.sibelius.fi [accessed 31 Mar 2010].
Schumann on Chopin’s styleChopin can hardly write anything now but that we feel like calling out in the seventh or eighth measure, “It is by him!” – Robert Schumann, 1838 P. Kildea, Chopin’s Piano, London, Allen Lane, 2018, p. 43.
It must be resolvedBach, a master of harmony and counterpoint, would not settle for imperfect sounds, no matter where he was. Johann Reichardt recalled: Johann Sebastian Bach once came into a large company while a musical amateur was sitting and improvising at a harpsichord. The moment the latter became aware of the presence of the great master, he […]
Achieving great things“To achieve great things, two things are needed: a plan and not quite enough time.” – Leonard Bernstein
The status of classical music in Australia“I would like to see the emphasis in teaching shift from the performer to the three elements necessary for satisfying music-making: the composer/ improviser, audience and player. I would also like to see the intelligent, inspired exploration of the question of interpretation – in Indian classical music, for instance, it is the opening up of […]
The spice of music“Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid.” Frank Zappa, composer Cited at QuotationsBook.
Teddy Bear’s PicnicAmerican composer John Bratton wrote the music for “Teddy Bear’s Picnic” in 1907. It was first published by M. Witmark & Sons as a piano work titled “The Teddy Bears Picnic. Characteristic Two Step”. Irishman Jimmy Kennedy added the lyrics in 1932. Dance Band leader Henry Hall hosted a radio program on the BBC which […]
Practice slowly“One must practice slowly, then more slowly and finally slowly.” – Camille Saint-Saëns Cited in: The Piano Quarterly, 1974, p. 24.