Rachmaninoff’s concert routine

Reporters described Sergei Rachmaninoff on a concert tour (c. 1940):

His punctuality is a legend.  If a reporter asks for two minutes of his time, two minutes and no more are given.  Consequently he arrives at a concert hall on the dot of 8 and goes on the stage precisely at 8:30.  If the concert is unavoidably delayed he becomes extremely impatient. [Observers often remarked on the big gold watch (the gift of Zverev) that went in and out of his pocket.]

As he waits in the wings before a performance, he puts his hands into an electric muff to keep them warm and flexible.  They are very tender, those hands, insured with Lloyds’ and carefully shielded from athletic handshakes.

While he plays, his wife listens in the wings so that she may tell him how the concert went well.  Afterward, he sips a cherry malted milk float (his favourite drink) unless he has to catch a train.  His conversation ranges in four languages over everything except death and politics, two topics he refuses to discuss.

Cited in: Bertensson, Sergei & Leyda, Jay (2001) Sergei Rachmaninoff: A Lifetime in Music.  Bloomington: Indiana University Press, p.358.

Cherry Malted Milk Float:
Ingredients

  • 1/4 gallon chocolate ice cream.
  • 12 ounces cherry vanilla soda
  • 1/4 cup chopped malted milk balls
  • 4 maraschino cherries

Directions
In 4 medium size glasses, place two to three scoops of chocolate ice cream into each. Slowly pour cherry vanilla soda over ice cream and top with chopped malted milk balls and a maraschino cherry. Serve with long spoons and a straw.

Recipe source: www.foodnetwork.com


Featured Content

The double life of an artist
People are mistaken thinking that the creative artist uses art to express what he feels at the very moment of experience. Joy and sorrow are feelings expressed retrospectively. Without any particular cause for rejoicing I can be immersed in a mood of happy creativity and, conversely, I can produce, when cheerful, a piece saturated in […]
When precision isn’t enough
Debussy was well known for wanting precision in performance. However, it was not always quite enough: Some time in 1917 Debussy went to hear the Suite played by a famous pianist. ‘How was it?’ I asked him on his return. ‘Dreadful. He didn’t miss a note.’ ‘But you ought to be satisfied. You who insist […]
Aim above the mark
“If you would hit the mark, you must aim a little above it; Every arrow that flies feels the attraction of earth.” Henry Wadsworth Longfellow (1807-1882), American poet.
Handel and the soprano
The great singer, Cuzzoni, refused to sing an air of his the way he wished it. He seized her, and, dragging her to a window, threatened to throw her out, thundering, “I always knew you were a devil, but I’ll show you that I am Beelzebub, the prince of devils.” Hughes, Rupert (2004) The Love […]
Mass of Solidarity
Title: Mass of Solidarity Text: Roman Catholic Mass Composer: Greg Smith Sections: – Penitential rite – Gloria – Gospel acclamation – Creed – Holy – Eucharistic acclamations – Amen – Lamb of God Additional: – Gospel acclamations for Lent (Glory and Praise to You) – Gospel acclamations for specific Sundays or Feasts available on request. Instrumentation: – SATB […]
The Battle of the Somme
Title: The Battle of the Somme (silent movie score) Composer: Greg Smith Instrumentation: Piano Product medium: Full score (PDF download) – 80 pages     Related products:     – The Battle of the Somme (MP3) Background: In 1916 France was struggling to fend off German occupation.  It had become apparent that to break the stalemate Britain […]
Beethoven’s shutters
Beethoven moved often, and his landlords were not always keen to have him back. While he was working on the Ninth Symphony in 1923, Beethoven couldn’t stand his present lodgings in Hetzendorf, as the landlord, Baron Pronay, constantly bowed to him when they met.He sought lodgings where he had previously stayed in Baden.  The landlord […]
The potential of man
“It is surprising what a man can do when he has to, and how little most men will do when they don’t have to.” — Walter Linn The Signalman’s Journal, Brotherhood of Railroad Signalmen, vol. 29-30, 1948, p.188. 
Energy from work
“The more work that you make, the more energy you have to make work.” – Garry Stewart, artistic director of the Adelaide-based Australian Dance Theatre. Edwards, Verity. “Dance maker with edge on top of world”, The Australian, 22 July 2011, p.7.  
Bach’s method of keyboard teaching
The teaching methods of Johann Sebastion Bach are recounted by his son, Philip Emanuel Bach: The first thing he did was to teach his pupils his special ways of touching the keyboard. For this he made them practice for months nothing but separate exercises for all the fingers of both hands, with constant attention to […]