Abstraction IV

Title: Abstraction IV
Composer: Greg Smith
Instrumentation: Cello and piano
Product medium: PDF score and part

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Abstraction IV
Abstraction IV


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“Didn’t you like it?”
Leonard Bernstein and Mildred Spiegel attended the Boston Symphony Orchestra season in 1933. They sat, she remembers, in the second balcony “under one of the male Greek nude statues.” One evening, during a standing ovation for the orchestra’s music director, Serge Koussevitzky, Lenny “just sat there” clapping very softly. “What’s the matter,” I asked, “didn’t […]
Dividing the concert takings
In 1866 Brahms and the violinist Joachim gave a concert tour through Switzerland.  One of their concerts was in Aarau. After the program, Brahms and Joachim went to a tavern, where they opened several bottles of the best vintage Swiss wine, including the popular vin mousseux of Lausanne.  Brahms felt decidedly genial. “How did we […]
The Queen Stands at Your Right Hand – Psalm 64 (65)
Title: The Queen Stands At Your Right Hand Text: Psalm 44 (45): 10-12. 16 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part     Related products:     – The Queen Stands At Your Right Hand – Piano solo (mp3 recording)     – The Queen Stands At Your Right Hand – Piano (score) Sample:
Practising an art
Practising an art, no matter how well or badly, is a way to make your soul grow, for heaven’s sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You […]
What about me?
Songwriter Johnny Green recalled Gershwin bragging about his achievements after a concert, eventually to stop and say: “That’s enough about me.  Now what did you think about how I played?” Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon Press, p.46.
A Light Rises in the Darkness – Psalm 111 (112)
Title: A Light Rises in the Darkness Psalm 111 (112): 4-9 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part.
Bach’s preferred instrument
Johann Sebastian Bach’s preferred to play the viola when conducting an orchestra. Source: Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 216.
I am not highbrow
After writing his opera Porgy and Bess, producers in Hollywood started to think that Gerswhin was turning “highbrow”.  George and Ira Gerswhin’s agent told Ira :”They think George is too highbrow.  Can’t he write a few words and explain to them?” George wired: “Rumours about highbrow music ridiculous.  Am out to write hits.” – George […]
The personality of George Gershwin
Isaac Goldberg, a friend of George Gershwin, described the composer’s personality: HE was as simple, as unaffected, as modest, and as charming a youth as one could desire to meet. There was nothing about him that was forbidding. He wore his unprecedented celebrity as lightly as if it were a cane – that cane which […]
Shaw on the cello
In the nineteenth century, the cello was regarded as an important solo instrument.  George Bernard Shaw wrote in 1890 “I am not fond of the violoncello: ordinarily I had as soon hear a bee buzzing in a stone jug.” Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 71.