Title: Sleepy BearComposer: Greg SmithInstrumentation: PianoPerformer: Greg Smith (22 March 2009) Your browser does not support the audio element. Sheet music

The teaching methods of Johann Sebastion Bach are recounted by his son, Philip Emanuel Bach: The first thing he did was to teach his pupils his special ways of touching the keyboard. For this he made them practice for months nothing but separate exercises for all the fingers of both hands, with constant attention to […]

Title: Who is the king of glory? Text: Psalm 24 (23): 7-10. R. v.8 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

Xaver Schydner von Wartensee, in the early days of meeting Beethoven, was curious about a tale he had heard about Beethoven and a spider. Before Schnyder had become acquainted with the immortal Master, he had read the well-known anecdote according to which, when Beethoven was practising the violin in his garret, a spider lowered itself […]

“The silence that accepts merit as the most natural thing in the world, is the highest applause.” — Ralph Waldo Emerson “An address delivered before the senior class in Divinity College, Cambridge, Sunday Evening, July 15, 1838”, The Works of Ralph Waldo Emerson, in 12 vols. Fireside Edition (Boston and New York, 1909). Vol. 1 […]

Gus Fairbairn (aka Alabaster dePlume) on the challenges of the 2020 pandemic: There is an invitation for me to respond to this pandemic with frustration, but it has allowed me the time to not spend all summer playing festivals and actually focus on my own creativity. It’s all gold. Go forth in the courage of your love as […]

Ravel in conversation with Mme André Bloch: “I don’t have ideas.  To begin with, nothing forces itself on me.” “But if there’s no beginning, how do you follow it up? What do you write down first of all?” “A note at random, then a second one and, sometimes, a third.  I then see what results.  […]

“The experience of beauty … consists of finding a spiritual value (truth, happiness, moral ideals) at home in a material setting (rhythm, line, shape, structure) and in such a way that, while we contemplate the object, the two seem inseparable.” – John Armstrong, The Secret Power of Beauty.

At a concert in London in December 1911, Rachmaninoff was received to great acclaim: perhaps a little too much from the orchestra's view point, who wanted to play the rest of their program: The London Philharmonic Concert given on November 7, provided an object lesson in this study of the relation of applause to encores.  […]