“From here on out, I declare that no one ever wish me again to ‘break a leg’”. Joyce DiDonato, American mezzo soprano, shortly after having broken a leg on stage in a production of The Barber of Serville at the Royal Opera House. DiDonato insisted on continuing the performance in a wheel chair. Source: Kirkup, […]

The first four notes of Beethoven’s Fifth Symphony are the morse code for the letter V.

“If you are on a mission to discover what you have to offer, and to bring it out into the world, every moment you spend distracted is a moment you aren’t following your art. It’s a moment you aren’t pursuing your true potential.” — David Kadavy David Kadavy, “The Anecdote to Distraction is Art”, https://steemit.com/productivity/@kadavy/the-antidote-to-distraction-is-art-1515195404-5002096. […]

In Anglican England in the nineteenth and early twentieth centuries, there was considerable opposition to the Roman Catholic Gregorian chant.  The Parish Choir or Church Music Book, published by the Society for the Promoting of Church Music (October 1847), applauds those who “deal heavy blows at Romanism and every other form of dissent.” (1)  Part […]

“I say that in the aria ‘La donna è mobile’, for example, which the elite thinks only brilliant and superficial, there is more substance and feeling than in the whole of Wagner’s Ring cycle.” – Igor StravinskyCited in Brandenburg, Daniel (2012). Verdi: Rigoletto. Bärenreiter.

Mozart was not at all a purely instinctive, intuitive artist. His remarks to the effect that he “loved to plan works, study, and meditate” and that “he preferred to work slowly and with deliberation” [demonstrate this] … On one level, Mozart’s musical aesthetic is informed by three fundamental and closely related principles that can be […]

Title: “Dance of the Knights” from Romeo and Juliet (op. 64)Composer: Sergei ProkofievArranger: Greg SmithInstrumentation: Cello and pianoProduct medium: PDF score and part This item is available at Sheet Music Direct and Sheet Music Plus. Sample:  

Vaughan Williams wrote a series of articles for the Royal College of Music magazine entitled “Who Wants the English Composer?”. In these, he expresses his advocacy for an exploration of the English musical style: We English composers are always saying, “Here are Wagner, Brahms, Grieg, Tchaikovsky, what fine fellows they are, let us try and […]

“You know I’m a useless kind of man apart from my music.” – Tchaikovsky Cited in: Hanson, Lawrence and Elisabeth (1965) Tchaikovsky: A New Study of the Man and His Music.  London: Cassell & Company, p.179.

Title: Abstraction XVIIComposer: Greg SmithInstrumentation: PianoProduct medium: PDF scoreRelated products: – Abstraction XVII (MP3 recording)