Instrumental stereotypes

Insider jokes are not just for White House Correspondents’ Assn. Dinners or ESPN kibitzers or Academy Awards emcees. They also crop up in discussions about symphony orchestra musicians — a society unto itself. There are jibes and even sober-minded studies that characterize personality types according to the instruments they play.

Who are the string players? The divas.

What do you call oboists? The orchestra neurotics.

And the brass? Drunken bullies.

Concert hall audiences tend to believe that those hundred or so musicians onstage — all of them remarkable virtuosos — are never less than unified in their pursuit of artistic perfection. Or at least always appreciative of one another’s sections and manner of playing, even tolerant of a blasting decibel or vague pitch from nearby.

But instrumentalists easily affirm or puncture the stereotypes. Or laugh them off, with qualifications.

– Donna Perlmutter, “Oh, those string players are so full of themselves”, Los Angeles Times, 25 August 2012. Click here to view article

 

Posted

in

by

Greg

Tags:

Featured Content

Stokowski and singers
Leopold Stokowski was staging a concert version of Mussorgsky’s Boris Godunov. Natalie Bodanya, one of the finest singers at Curtis at the time, refused to audition, noting how “impersonal and impossible Stokowski was. Stokowski had filled all the roles, with the exception of that the Princess. “Is it possible” Stokowski asked Sylvan [Sylvan Lenin, a […]
Richter on Bach
“It does no harm to listen to Bach from time to time, even if only from a hygienic standpoint.” – Sviatoslav Richter, pianist Monsaingeon, Bruno (2001). Sviatoslav Richter: Notebooks and Conversations. Princeton University Press, p.196. Cited at: Wikipedia
Music as an emotional science
Music sets up a certain vibration which unquestionably results in a physical reaction. Eventually the proper vibration for every person will be found and utilized. I like to think of music as an emotional science. — George Gershwin Daniel Albright. Modern and Music: An Anthology of Sources. Chicago, The University of Chicago Press, p. 388.
Proportion
“The traditional sense of proportion is a hang-up. The usual Mozartean concept of how long an idea lasts becomes too predictable. Some of the composers who talk the most about avoiding predictability are the ones most victimized by this predictable traditional sense of proportion.” – Morton Feldman, American composer. Cited in: Tom Johnson, Remembrance, September […]
Elgar’s distractions
In a radio interview in 1937, Edward Elgar’s violinist friend William H. Reed described Elgar’s “distractions” while composing the violin concerto: I can never play the last movement without seeing the River Wye flowing past the meadow at Hereford where Sir Edward and I used to practise throwing a boomerang in our “off-time” between working […]
The development of concert life in London
The public concert, as an institution, dates from England from the Restoration period [from the 1660s]; previously music, unless ecclesiastical or dramatic in character, had been essentially the art of a small circle.  The largess of aristocratic patronage and the profits of publication were the composers’ rewards.  But with the middle of the seventeenth century […]
Einstein on creativity
“Creativity is intelligence having fun.” – Albert Einstein.
The Seed That Falls On Good Ground – Psalm 64 (65)
Title: The seed that falls on good ground Text: Psalm 64 (65): 10, 11, 12-13, 14. R. L. 8: 8 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
In Memory of Those in Paradise
Title: In Memory of  Those in Paradise   Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score SAMPLE:
The delicate nature of Chopin’s pianism
Chopin gave a recital in the Gentlemen”s Concert Hall, Manchester, on 28 August 1848. The audience of 1,200 people was the largest Chopin had ever performed to, but Chopin’s delicate playing was not really suited to such a large venue. Conscious of this fact, Chopin requested that another pianist, George Osborne, who was also performing […]