It happens because you identify so completely with the composer, you’ve studied him so intently, that it’s as though you’ve written the piece yourself. You completely forget who you are or where you are and you write the piece write there. You just make it up as though you never heard it before. Because you […]

“Bartók’s music as a whole is a music I never think about when its not around.  It’s impeccable, it’s theatrical, it’s even great.  It dazzles, thrills, horrifies, sometimes irritates, but also moves me.  But I’m not touched by it, as by, for instance, the outset of the quartet by Ravel – Ravel, supposed to be […]

I have often made the point in masterclasses that students should not listen to lots of recordings of a piece they are learning. I’m always a little horrified when I hear a student say, “My teacher told me to learn the Chopin G minor Ballade, so I went to the library and took out eight […]

“If you are on a mission to discover what you have to offer, and to bring it out into the world, every moment you spend distracted is a moment you aren’t following your art. It’s a moment you aren’t pursuing your true potential.” — David Kadavy David Kadavy, “The Anecdote to Distraction is Art”, https://steemit.com/productivity/@kadavy/the-antidote-to-distraction-is-art-1515195404-5002096. […]

Concentrate all your thoughts upon the work at hand. The sun’s rays do not burn until brought to a focus. – Alexander Graham Bell Orison Swett Marden, (1901) “Bell Telephone Talk”, How They Succeeded. Boston: Lothrop Publishing Company, p. 38. Digitally archived at https://archive.org/details/howtheysucceeded00mardrich/mode/2up, accessed 11 September 2021.

For me, inspiration comes from a bunch of places: desperation, deadlines… A lot of times ideas will turn up when you’re doing something else. And, most of all, ideas come from confluence — they come from two things flowing together. They come, essentially, from daydreaming. . . . And I suspect that’s something every human […]

The Polish composer Karol Szymanowski wrote of the French composer Maurice Ravel in 1925: Whether he writes a “Rapsodie espagnole”, “Mélodies grecques”, or the almost Viennese “La Valse”, he always remains one of the foremost fascinating representatives of the genius of his race.  He assembles all the fundamental elements of that most beautiful culture in […]

“The best music is the music that persuades us that there is no other music in the world.” – Alex Ross, music critic  Cited in: Ross, Alex, “From Classical to punk”, Limelight, January 2011, p.29.

Early phonograph recordings were a little rough.  In 1889, pianist Hans von Bülow was asked to play into a phonograph in America: After playing upon a pianoforte, from which issued sounds compared to the soft and dreamy gurgle of a brook, the far-off sighign of the night wind and the roar of the cataract, he […]

Tchaikovsky was an enthusiastic student at the St. Petersberg Conservatoire.  Anton Rubinstein asked Tchaikvosky to write a series of contrapuntal variations on a given theme.  "I expected that he would present me with about a dozen.  But Tchaikovsky turned up the next class day with more than two hundred!" Cited in: Hanson, Lawrence and Elisabeth […]