For me, inspiration comes from a bunch of places: desperation, deadlines… A lot of times ideas will turn up when you’re doing something else. And, most of all, ideas come from confluence — they come from two things flowing together. They come, essentially, from daydreaming. . . . And I suspect that’s something every human being does. Writers tend to train themselves to notice when they’ve had an idea — it’s not that they have any more ideas or get inspired more than anything else; we just notice when it happens a little bit more.
Neil Gaiman, writer, in an interview with Clem Bastow. Cited in: Maria Popova, “How Creativity Works: Neil Gaiman on Where Ideas Come From”, Brain Pickings, https://www.brainpickings.org/2014/02/18/neil-gaiman-creativity/, accessed 13 December 2020.
The source of inspiration
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Playing by the mood of the audience
Rachmaninoff sent fellow composer/pianist Medtner his Corelli Variations. He wrote: I played them here about fifteen times, but of these fifteen performances, only one was good. The others were sloppy. I can't play my own compositions! And it's so boring! Not once have I played these all in continuity. I was guided by the coughing […]
Schumann chasing a girlSchumann once attended a masquerade during the carnival of 1830, in company with his friend Rosen, for the purpose of paying some attention to a pretty but otherwise insignificant girl.He knew that she would be present at the ball, and, as a pretext for approaching her, put a poem in his pocket.Fortune favored him: he […]
Mass of SolidarityTitle: Mass of Solidarity Text: Roman Catholic Mass Composer: Greg Smith Sections: – Penitential rite – Gloria – Gospel acclamation – Creed – Holy – Eucharistic acclamations – Amen – Lamb of God Additional: – Gospel acclamations for Lent (Glory and Praise to You) – Gospel acclamations for specific Sundays or Feasts available on request. Instrumentation: – SATB […]
Brahms at the tavernWhen Brahms was young, he had to play in rowdy taverns to help support his family. Dance music was what the people in the taverns wanted, and Hannes would sometimes relieve the monotony by improvising variations on the popular waltzes of the day. But what finally made his work endurable was the discovery that while […]
George and Ira Gershwin preview Porgy and BessThe stage director of the first Porgy and Bess production recalls hearing the score in Gerswhin's New York apartment: They both blissfully closed their eyes before they continued with the lovely "Summertime" song. George played with the most beatific smile on his face. He seemed to float on the waves of his own music with […]
The meaning of American PieWhen questioned about the meaning of American Pie, Don McLean would quip. “It means I’ll never have to work again.” Rob Walker, “Don McLean on the tragedy behind American Pie: ‘I cried for two years’”, The Guardian, 22 October 2020, https://www.theguardian.com/music/2020/oct/22/don-mclean-american-pie-its-meaning-family-deaths-tragedy-60s?CMP=Share_AndroidApp_Other
Bernstein as a counterpoint student at HarvardThe composer Harold Shapero, who lived a few doors away from Bernstein in Newton and was a year behind him at Harvard, also noted Bernstein’s cavalier approach to counterpoint studies. “Lenny didn’t come to class at all. I was a dutiful little student. I did my Palestrina stuff and I got an ‘A.’ . . […]
The two faces of an art work“Every great work of art has two faces: one toward its own time and one toward the future, toward eternity.” — Daniel Barenboim. Cited in: Barenboim, Daniel & Said, Edward (2002) Parallels and Paradoxes: Explorations in Music and Society. New York: Pantheon Books.
Ravel on DebussyIn a lecture in 1928 in Houston, Texas, Ravel described the differences between Debussy and his approach to composition: For Debussy the musician and the man I have had profound admiration, but by nature I am different from him. Although he may not be quite a stranger from my own personal heritage, I would at […]
I Turn to You, Lord, in Times of Trouble – Psalm 30 (31)Title: I turn to you, Lord, in times of trouble Text: Psalm 30 (31): 1-2, 5, 11 Music: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample: