For me, inspiration comes from a bunch of places: desperation, deadlines… A lot of times ideas will turn up when you’re doing something else. And, most of all, ideas come from confluence — they come from two things flowing together. They come, essentially, from daydreaming. . . . And I suspect that’s something every human being does. Writers tend to train themselves to notice when they’ve had an idea — it’s not that they have any more ideas or get inspired more than anything else; we just notice when it happens a little bit more.
Neil Gaiman, writer, in an interview with Clem Bastow. Cited in: Maria Popova, “How Creativity Works: Neil Gaiman on Where Ideas Come From”, Brain Pickings, https://www.brainpickings.org/2014/02/18/neil-gaiman-creativity/, accessed 13 December 2020.
The source of inspiration
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It is imperative to learn music
The philosopher Nietzsche noted: “Our emotional life is least clear to ourselves.” For this reason, it is imperative to listen to music, because music makes the strings of our inner life resonate. Even if the result is not complete self-realization, at least we can still feel our essence in the “resonance”. Safranski, Rüdiger (2002) Nietzsche: […]
Ode IITitle: Ode II Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: MP3 recording Related products: – Ode II (PDF score) SAMPLE:
Inspiration“Our happiness in this world depends on the affections we are able to inspire.” – Duchess Prazlin Cited at QuotationsBook
They who dream“They who dream by day are cognizant of many things which escape those who dream only by night.” — Edgar Allan Poe
Beethoven in 1821In his book, A Tour in Germany, and some of the Southern Provinces of the Austrian Empire, in 1820, 1821, 1822, published in Edinburgh in 1824, Sir John Russell describes Beethoven in 1821: The neglect of his person which he exhibits gives him a somewhat wild appearance. His features are strong and prominent; his eye […]
Word of mouth encoreLeopold Stokowski gave the Philadelphia premiere of Ravel’s Bolero as an “encore” at a Friday afternoon concert. The newspaper critics had all left the hall, and so once again word of mouth had to prove its effacy, for at the Saturday night concert, after the last number, the audience applauded with unusual fervour and would […]
Reich on the accessibility of his musicAmerican composer Steve Reich on his compositional process: When I compose, I notice I’m the only one in the room. (laughs) I tend to be a somewhat self-critical person. I use my emotional faculties to judge whether I want to hear something again. Basically I have no one in mind except pleasing myself. And my […]
Vaughan Williams on an authentic performance of BachVaughan Williams gave a broadcast talk on Bach entitled “Bach the Great Bourgeois.” It was later published in The Listener. Vaughan Williams, who was involved in performances of works such as Bach’s St. Matthew’s Passion as part of the Leith Hill Festival, offered some insight in contemporary approaches to Bach performance: WHEN I was a […]
Arthur Schnabel“Artur Schnabel is a pianist unlike any other. One is conscious in listening to him of a powerful and original mind revealing unsuspected meanings and complications in music as familiar as Brahm’s Intermezzi and Beethoven’s “Waldstein” Sonata. His tone is as a rule dry in anything above a piano, but a sudden touch of pedal […]
Julius Asal on interpretationOn the one hand, I believe that to connect tradition and innovation is the most important thing to me personally. On the other hand, to explore the score and be close to what the composer wanted is essential. There is a way to find your own language within the details that the composers left. Julius […]