Page turning for BeethovenIgnaz Xaver Seyfried was asked to turn pages for Beethoven in a performance of Beethoven’s Third Piano Concerto (5 April 1803). He recalled: In the playing of the concerto movements he asked me to turn the pages for him; but – heaven help me! – that was easier said than done. I saw almost nothing […]
Older version of Molly Malone discoveredA tiny 18th-century book has turned up in Hay-on-Wye containing the earliest known version of Sweet Molly Malone, almost a century older than Dublin’s unofficial anthem. Maev Kennedy, “Tart with a cart? Older song shows Dublin’s Molly Malone in new light”, The Guardian, 18 July 2010. Click here to view article
Ashkenazy on RichterPianist and conductor Vladimir Ashkenazy on his colleague Sviatoslav Richter: Richter magnetized me, like he did so many others, and I wouldn’t have missed his concerts for anything. I think he communicated more than anyone else complete devotion and sincerity to his art. When I look back, this is what attracted me most to him […]
OpportunitiesNo man can tell what the future may bring forth, and small opportunities are often the beginning of great enterprises. — Demosthenes, Ad Leptinem, 162 Harbottle, Thomas Benfield (1897) Dictionary of Quotations (Classical). London: S. Sonnenschein & co, p. 51. Digitally archived at https://archive.org/details/dictionaryofquot00harbiala/page/511/mode/2up, accessed 12 September 2021.
I need a better razorHaydn reached London in the opening days of 1791. He passed his first night at the house of Bland, the music publisher, at 45 High Holborn, which now, rebuilt, forms part of the First Avenue Hotel. Bland, it should have been mentioned before, had been sent over to Vienna by Salomon to coax Haydn into […]
Handel’s speedy methodMorrell gave Handel the words of Cleopatra’s air “Convey me to some peaceful shore” in Alexander Balus, he cried out “Damn your Iambics!”. Morell offered to change them to trochees and went into the next room to do so, only to find about three minutes later that Handel had set them as they stood.” Dean, […]
Rising after we fall“Our greatest glory is, not in never falling, but in rising every time we fall.” — Oliver Goldsmith (1762) The citizen of the world: or, letters from a Chinese philosopher, residing in London, to his friends in the east, Dublin: printed for George and Alex. Ewing, 1762, letter 7, p. 30. Digitally archived at https://quod.lib.umich.edu/e/ecco/004776950.0001.001/1:9?rgn=div1;view=fulltext, […]
Lullaby for BerkeleyTitle: Lullaby for Berkeley Composer: Greg Smith Instrumentation: Piano duet Level: Piano I – Level 1 (5 finger hand position, left and right hands) Product medium: PDF score & MP3 accompaniment track SAMPLES: (Audio sample of accompaniment track only)
All the Ends of the Earth – Psalm 97 (98)Title: All the ends of the earth Text: Psalm 97 (98):1-6. R. v.3 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part SAMPLE:
A typical recital in England in 1897John E. Borland described in a paper of June 1897: It was customary to commence with a Bach prelude and fugue (usually perverted from one intended for the organ), a Beethoven sonata (choice limited to four or five), some Chopin pieces (there were about twelve orthodox ones to select from), and a Liszt rhapsody. These […]