Is Ringo Starr the best drummer in the world? He’s not even the best drummer in the Beatles. Reporter and John Lennon. Source: Jarski, Rosemarie (2005) Great British Witt.  London: Ebury Press, p.257.

When Spanish cellist Pablo Casals was in his seventies, he retired from the concert stage and lived in Prades, Southern France. Casals began each day by playing from Bach’s Well-Tempered Clavier on the piano (1), then heading out for a walk with his German shepherd, cocking an ear for birdsong and saluting the snow-capped peak […]

Rachmaninoff once urged Horowitz to go for long walks.  “If you don’t walk, your fingers will not run.” Abram Chasins, “The Return of Horowitz”, The Saturday Evening Post, October 22, 1966, p.102-3. Cited in: Gerig, Reginald (1974) Famous Pianists and Their Technique.  Washington: Robert V. Luce, p.307.

I. Dolce II. Allegro assai III. Andante un poco IV. Presto Prior to J. S. Bach, the harpsichord in ensemble music was primarily a means of harmonic support. The harpsichordist would read from a figured bass—in other words, the part was rarely written out in full. Bach raised the level importance of the harpsichord to […]

This culmination may be at the end or in the middle, it may be loud or soft; but the performer must know how to approach it with absolute calculation, absolute precision, because, if it slips by, then the whole construction crumbles, and the piece becomes disjointed and scrappy and does not convey to the listener […]

“I am not suited to ‘writing music’. All has to be experienced.” -Jean Sibelius Cited in:Goss, Glenda (2009) “Sibelius”. Chicago: The University of Chicago Press, p. 6.

One of Tchaikovsky’s favorite anecdotes resulted from his nearly losing the sketches for the Little Russian on the way back to Moscow. To persuade a recalcitrant postmaster to hitch the horses to the coach in which he and his brother Modest had been travelling, Tchaikovsky presented himself as “Prince Volkonsky, gentleman of the Emperor’s bedchamber.” […]

The lesson which life constantly repeats is to ‘look under your feet.’You are always nearer to the divine and the true sources of your power than you think.The lure of the distant and the difficult is deceptive.The great opportunity is where you are.Do not despise your own place and hour.Every place is under the stars.Every […]

Boulez declares: “Any composer of our time who has not felt the necessity of the serial method is worthless.”  Omit the word “not,” and I agree. Ned Rorem (2000) Lies: A Diary 1986-1999.  Cambridge: MA: Da Capo Press, p.69.

Rob Deemer highlights several aspects needed for a composer to survive in the artistic community: – ability to accept “failure” (entering competitions, etc.) – maintaining a “stubbornness” to achieve recognition – promoting not only your best works, but also occasionally enjoying the success of your “foibles” – having a sense of “who you are” as […]