Beethoven on the development of the piano as an instrument in its own right: There is no doubt that so far as the manner of playing it is concerned, the pianoforte is still the least studied and developed of all instruments; often one thinks that one is merely listening to a harp.  And I am […]

“When you put creativity into everything, everything becomes available to you.” – Robert Rodriguez, filmmaker Cited in: Nathalie Sejean, “30 Piece of Advice from Robert Rodriguez to Lead a Creative Life”, Mentorless, 4 September 2015, https://www.mentorless.com/2015/09/04/30-piece-of-advice-from-robert-rodriguez-to-lead-a-creative-life/, accessed 28 October 2020

“After doing nothing, I know no more delightful occupation of eating, eat properly, I mean. The appetite is for the stomach what love is for the heart. The stomach is the choirmaster who governs and operates a large orchestra of the passions. An empty stomach is the bassoon or flute in which discontent grumbles or […]

The first four notes of Beethoven’s Fifth Symphony are the morse code for the letter V.

Musicologist Richard Leonard describes a stingy side to Brahms’s personality: It is true that at times he was generous, giving away large sums to persons in need, and often imposing a strict secrecy; but about his own affairs he was as congenitally stingy as a peasant.  He bought only the cheapest clothes, wore the same […]

“One must practice slowly, then more slowly and finally slowly.” – Camille Saint-Saëns Cited in: The Piano Quarterly, 1974, p. 24.

Composer: Greg SmithTitle: Meditation IIInstrumentation: PianoProduct medium: PDF scorePrice: $3   Sample: Your user agent does not support the HTML5 Audio element.

“Inspiration is merely the reward for working every day!” – Charles Baudelaire (French poet).  According to Roland-Manuel, Ravel would often recite this phrase.  Source: Nichols, Roger (1987) Ravel Remembered.  London: Faber & Faber, p. 143.

“There is no anxiety in the present. Anxiety is either in the past, worrying about what was just played, or in the future, worrying about what you are about to play. Nothing can be done about either! Don’t judge or evaluate while you’re performing.” — Charles Schlueter, principal trumpet with the Boston Symphony. Cited in: […]

Some conductors put all the emphasis on the melodic line, while others are fanatics about rhythm, but there are very few conductors who are uniquely able to look at the score and hear every part before it actually happens. With the very best of conductors, it’s as though there are two performances going on simultaneously. […]