“Bartók’s music as a whole is a music I never think about when its not around.  It’s impeccable, it’s theatrical, it’s even great.  It dazzles, thrills, horrifies, sometimes irritates, but also moves me.  But I’m not touched by it, as by, for instance, the outset of the quartet by Ravel – Ravel, supposed to be […]

Title: Daydream Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLE: 

Reporters described Sergei Rachmaninoff on a concert tour (c. 1940): His punctuality is a legend.  If a reporter asks for two minutes of his time, two minutes and no more are given.  Consequently he arrives at a concert hall on the dot of 8 and goes on the stage precisely at 8:30.  If the concert […]

Now the nature of man consists in this, that his will strives, is satisfied and strives anew, and so on for ever. Indeed, his happiness and well-being consist simply in the quick transition from wish to satisfaction, and from satisfaction to a new wish. For the absence of satisfaction is suffering, the empty longing for […]

Title: I will praise you, Lord Text: Psalm 29 (30): 2, 4-6, 11-13 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

Title: Unless the Lord has built the house Text: Psalm 126 (127) Composer: Greg Smith Instrumentation: SATB Product medium: PDF score Sample:

On 5 April 1803 Beethoven conducted an concert of his own works: the First and Second Symphonies; The Third Piano Concerto, and his oratorio Christ on the Mount of Olives. It is likely that the he directed the piano concerto (which he played) from the piano. Ignaz von Seyfried gave an account of Beethoven’s conducting […]

The philosopher Nietzsche noted: “Our emotional life is least clear to ourselves.” For this reason, it is imperative to listen to music, because music makes the strings of our inner life resonate. Even if the result is not complete self-realization, at least we can still feel our essence in the “resonance”. Safranski, Rüdiger (2002) Nietzsche: […]

Ravel’s style — elegant, and refined — was highly influenced by eighteenth classicism (e.g., Mozart) and the early French keyboard composers (e.g., Couperin). Stravinsky once described Ravel as a “Swiss watchmaker”, due to Ravel’s attention to detail. Ravel wrote: “I never put down a work until I have made absolutely certain that there is nothing […]

Any artist knows that the space between the stage where the work is too unformed to have committed itself and the stage where it is too late to improve it can be as thin as a needle.  Genius perhaps consists in opening out this needle-like area until it covers almost the whole of the working […]