Ravel and food

Ravel was touring America, in 1928, but was having some interesting experiences with food. One on occasion:

The Mason & Hamlin Company not only provided a piano for Ravel’s use at his hotel, and another for his tour, but also sent him a piano-tuner capable of acting as a courier, interpreter, and general assistant.  This versatile person was to join the French composer on the Twentieth Century Limited when he left New York for Chicago; but at the last minute, an unexpectedly severe snowstorm delayed the piano-tuner and he missed the train.  Ravel had been invited that day to a luncheon given for him by Paul Kochansky, the Polish violinist, at which a number of his close friends were present, and as usual he lost all count of time.  Ravel also would have missed the train if his friends had not suddenly noticed the hour and rushed him to the station.  They arrived just in time to get him on board, and not until the train was pulling out did they discover that the indispensable tuner-interpreter-courier was not on the train.

Consternation!  What should be done? – for Maurice Ravel spoke no word of English – he could not even order a meal by himself.  His friends hurried to the station-master and explained the predicament.  The latter was not very resourceful, but finally through Mrs. Edison’s influence everything was satisfactorily adjusted.  A long distance call to Albany brought an interpreter to the train at that station, and arranged to him travel as far as Chicago.  Meanwhile a telegram to the conductor ordered Ravel’s dinner: “lamp chops, string beans, and coffee…”

Once in Chicago, Ravel attended a  luncheon hosted by one of Chicago’s social leaders:

She planned an elaborate luncheon, served by numerous butlers and footmen and including every delicacy from lobster to squab. Ravel, however, scarcely touched his food, and his conversation languished with each course.  When lunch was over he pleaded a headache, and with courteous bows and thanks departed from the palatial residence.

Pour l’amour de Dieu, stop at the nearest pharmacie‘, he begged the friends who had brought him, “and telephone the hotel to prepare a good meal for me.”

“A meal?” his friends replied wonderingly.  “But you just have lunched…”

“You call that a meal?” Ravel answered peevishly.  “There wasn’t a thing anyone could eat.  No meat at all … mais tout le monde sait que je suis carnivore [Everyone knows I am a carnivore]he added, like a child who cannot understand why all the world does not know his idiosyncrasies.

(1) Goss, Madeline (2008) Bolero: Life of Ravel. Goss press, pp. 228-229
(2) Ibid, pp.229-230


Posted

in

by


Featured Content

Feeling Fine
Title: Feeling Fine Composer: Greg Smith Instrumentation: Piano duet Level: 1 (5 finger position) Product medium: PDf score & MP3 accompaniment track (Audio sample of accompaniment track only)
Abstraction V
Title: Abstraction V Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLES:
Tips for composers
Rob Deemer highlights several aspects needed for a composer to survive in the artistic community: – ability to accept “failure” (entering competitions, etc.) – maintaining a “stubbornness” to achieve recognition – promoting not only your best works, but also occasionally enjoying the success of your “foibles” – having a sense of “who you are” as […]
People must hear me
“I cannot tell you how much I love to play for people. Would you believe it – sometimes when I sit down to practice and there is no one else in the room, I have to stifle an impulse to ring for the elevator man and offer him money to come in and hear me.” […]
Bruckner the count
Anton Bruckner developed a condition call numeromania that compelled him to count everything – cathedral gables, stars, leaves on the trees; even the number of bars in his lengthy symphonies. Source: Lawrence, Christopher (2001) Swooning.  Sydney: Random House, p.70.
Peace Is What I Leave You – John 14
Title: Peace is what I leave you Text: John 14:27 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Intermezzo, op. 118 no. 2 (Brahms)
>
Stravinsky and Charlie Parker
There is a story that Igor Stravinsky went to the New York jazz club Birdland one evening in 1951. Whispers went round that the great composer was in the house. When Charlie Parker came on with his quintet, he didn’t acknowledge Stravinsky in person, but seamlessly quoted The Firebird in his first number, the furiously […]
A world of emotions
“We find a world of emotions and ideas created with only the simplest of materials.” – Laurence Lesser, cellist Cited in: Siblin, Eric (2009) The Cello Suites. Crows Nest: Allen & Unwin. p.3.
Beethoven and the candlesitcks
Beethoven once gave a performance of a new piano concerto in which he forgot he was the soloist and began to conduct instead.  At the first sforzando he threw out his arms so vehemently that he knocked both candlesticks off the piano.  The audience burst out laughing, which enraged Beethoven.  He made the orchestra start […]