Performers and performances

“Didn’t you like it?”

Leonard Bernstein and Mildred Spiegel attended the Boston Symphony Orchestra season in 1933. They sat, she remembers, in the second …

A bewitched recording

Early phonograph recordings were a little rough. In 1889, pianist Hans von Bülow was asked to play into a phonograph …

A concise rehearsal

Hans Knappertsbusch (1888-1965) was a German conductor. However, he had a dislike of rehearsals. Karajan recalled:One time he was going …

A little ahead … or a little behind

Samuel Sebastian Wesley received great reviews for his conding at Gloucester’s annual Three Choir Festivals in 1865. An critic in …

A matter of tempo

Bruno Walter, Friedrich Buxbaum, and Arnold Rosé were to perform Erich Korngold’s Piano Trio in D in 1910. Korngold was …

A monkey on his shoulder

Cellist Walter Joachim spend some time in Calcutta, India. He recalled: “I bought a monkey with which to amuse myself …

A simple request

Humorists Ilf and Petrov described a concert by Rachmaninoff In New York (November 1935):The night we went to hear him …

A typical recital in England in 1897

John E. Borland described in a paper of June 1897: It was customary to commence with a Bach prelude and …

A very specific error indeed

The following is an account of the conductor Hans von Bülow:The newspaper critics Bülow continued to despise because of their …

A young Josef Hoffmann

The Polish pianist, Josef Hoffmann may have been a child prodigy. Upon hearing him play, Anton Rubinstein, who typically disliked …

Advice to opera performers

In the early 18th century, the standard of Italian opera performances had become somewhat questionable. In 1720, The satirical writer …

Arthur Rubinstein’s youthful practice habits

Interviewer: So many children hate to take music lessons. Can you understand this? Rubinstein: Oh, yes, I was one of …

As good as Paderewsky

“At the end of a dinner he was attending by a lady in Liege, Ysaÿe was asked to listen to …

Autumn Leaves

Pianist Roger Williams on his hit recording of Autumn Leaves (which was recorded three days after signing his contract with …

Baroque they are not

Between 1910 and 1938 the Austrian violin virtuoso Fritz Kreisler produced some arrangements of works by Boccherini, Martini, Couperin, Vivaldi …

Beethoven and the candlesitcks

Beethoven once gave a performance of a new piano concerto in which he forgot he was the soloist and began …

Beethoven conducting

On 5 April 1803 Beethoven conducted an concert of his own works: the First and Second Symphonies; The Third Piano …

Beethoven’s contest

In 1800, an improvisation contest occured between Beethoven and the pianist Daniel Steibelt.It was agreed that Prince Lobkowitz would sponsor …

Beethoven’s duet

Beethoven was premiering his piano duet, March (op. 45) with duet partner Ferdinand Ries.  When a young count spoke loudly …

Brahms’ ladies choir

Brahms formed a Ladies Choir of about fifty singers: “Fix oder Nix” was the motto he coined for them – …

Claudio Arrau in Newcastle

While the Century Theatre in Broadmeadow (Australia) primarily operated as a cinema, it was also hosted concerts, including by the …

Climbing Mount Fuji with a cello in hand

“In 2007 Italian cellist Mario Brunello climbed to the summit of Mount Fuji and played selections from Bach’s cello suites, …

Concentrate on the performance

Daniel Saidenberg ws the first cellist of the Philadelphia Orchestra, conducted by Leopold Stokowski.  He recalled:Stoki’s ability to exert disciplines …

Conditions stipulated for the Imperial Court Chapel

The Imperial Chapel Choir was founded in Vienna in 1498 and performed exclusively for the court.  Composers that worked with …

Conducting gloves

The practice of wearing white gloves whilst conducting was common in the nineteenth century. The Musical times reported in July 1884 …

Debussy’s reception in England

In 1908-9, Claude Debussy made two appearances conducting his own works in England.  The Musical Times reported on the occasions …

Don’t wish me luck

“From here on out, I declare that no one ever wish me again to ‘break a leg'”. Joyce DiDonato, American …

Dress regulations for Handel’s Messiah

In the eighteenth century, hooped skirts were a popular choice of ladies dress attire as they enabled a dramatic entrance, …

George Gershwin at the piano

The theatre director Rouben Mamoulian describes Gershwin’s playing: George at the piano was George happy … like a sorcerer celebrating …

Gershwin conducting

Isaac Goldberg described Gershwin’s enthusiasm when conducting: He conducted not just with his baton, but with his cigar, his shoulders, his …

Gershwin’s playing (and sense of humour)

The composer Burton Lane describes George Gershwin’s playing: You could feel the electricity going through the room when he played …

Gramophone: no substitute for live performance

British conductor Thomas Beecham was not too impressed with early recording technology (the gramophone): It was put to him that …

Here’s a pencil … and an eraser

‘The following is an account of the conductor Hans von Bülow:Young composers whom Bülow decided to feature in the concerts …

Hough and Schnabel on piano rolls

I want to believe in piano rolls. The idea that we can insert an object into a present-day piano and …

How not to get an audience

Satie’s ballet Relâche (1924) had trouble pulling a crowd: the title translates as “this performances is cancelled”. Source: Lawrence, Christopher …

How to get an audience

Johannes Brahms and the violinist Eduard Remenyi had been concertizing to great success in Cello and Lüneberg. By this time …

Imogen Cooper on a lesson with Alfred Brendel

He was a wonderful teacher. He is extremely articulate and very demanding. He made no concessions to my age. In …

In the event of a lack of singers

In a letter to his friend Abbé Joseph Bullinger, Mozart jokes about the musical environment in Salsburg. One of his …

It’s the page turner’s fault

Several years ago, Mr. Kalichstein hired a young music student who kept reaching across the score to turn pages from …

Just as we checked the tuning …

In 1853, Brahms went on a tour of German cities with the Hungarian violinist Eduard Reményi.  In the town of …

Karajan and direction

Seiji Ozawa recalls Karajan’s overarching concept of music: I really shouldn’t start comparing Karajan and Bernstein. I’m thinking of the …

Loyalty to a lead

John Sublett (stage name, John Bubbles) was a tap dancer unable to read music.  He was chosen by Gershwin to …

Mahler’s bowing instructions

Rachmaninoff played his Third Concerto in January 1909 in New York, conducted by Gustav Mahler. Rachmaninoff recalled the rehearsal: Suddenly, …

Maiky’s recording of Bach’s cello suites

“The Latvian cellist Mischa Maisky recorded the Bach’s cello suites “at a small guest house he converted into a studio …

Mozart improvising

In 1777, Mozart was having lunch with his uncle at the Holy Cross Convent in Ausburg. Mozart played a sinfoni …

Mozart’s magic ring

When Mozart was in Naples, he so impressed his audience that they suspected “musical sorcery”. They ordered him to play without …

Musicians in Dresden in 1720s

”There was rivalry among the musicians in Dresden in the 1720s.  Daniel Heartz describes some incidents:Silvius Weiss, the famous lutenist, …

Not just a one hit wonder … but there was an audience favorite

Rachmaninoff’s Prelude in C-sharp minor proved very popular with the public. At times, it was programmed “by request” (1), and if …

Paderewski, the dandy

Overheard in a New York street car:— Average Young Man (to neighbour): “Everything they say about Paderewski is true. He’s …

Page turning for Beethoven

Ignaz Xaver Seyfried was asked to turn pages for Beethoven in a performance of Beethoven’s Third Piano Concerto (5 April …

Paper and matches for maintenance

When Spanish cellist Pablo Casals was in his seventies, he retired from the concert stage and lived in Prades, Southern …

People must hear me

“I cannot tell you how much I love to play for people. Would you believe it – sometimes when I …

Pierrot Lunairre

A performance of Schönberg’s Pierrot Lunaire was given by Artur Schnabel (piano), Boris Kroyt (violin), Gregor Piatigorsky (cello), Paul Bose …

Practising at every opportunity

The conductor Stokowski was co-conductor of the San Francisco Symphony Orchestra.  He was rehearsing his own orchestration of Mussorgsky’s Pictures …

Rehearsal conditions must be suitable

Strengthened by his initial triumph and by daily evidences of the ever-mounting appreciation and support of the Philadelphia’s new claim …

Sondheim on audiences

“I do think audiences become more sophisticated. You try something out on them and they say, “Ugh”. You try it …

Stokowski and singers

Leopold Stokowski was staging a concert version of Mussorgsky’s Boris Godunov. Natalie Bodanya, one of the finest singers at Curtis …

Stokowski on contemporary music

Leopold Stokowski was a champion of contemporary music. He conducted music without judgement, believing judgement to be the public’s job …

Stokowski playing Bach on the organ

Stewart Warkov, assistant manager of the Symphony of The Air in 1961 described Stokowski playing Bach on the organ:Stokowski played …

Stokowski’s orders

A letter from the conductor Leopold Stokowski to Sylvan Levin gives an insight into his sense of humour: Caro Maestro …

Streisland’s instinct

[Barbara Streisand’s] early voice training amounted to one lesson with a voice teacher. At that session Ms. Streisand sang “A …

The art of playing the triangle

George Plimpton, a writer and sportsman, asked if he could play in the New York Philharmonic for a month to …

The ghost of Paganini

The Belgian violinist Eugène Yasÿe frightened Busoni by playing the Bach Chaconne and Paganini Caprices on a kit violin in …

The London Proms in the 1930s

A recollection of the London Proms in 1936: The behavior of the Promenaders was more genteel in those days … …

The price of an encore

At a concert in London in December 1911, Rachmaninoff was received to great acclaim: perhaps a little too much from …

The silent bass clarinet

During a rehearsal of Schubert’s Unfinished Symphony: Stokowski had inserted a gratuitous part for bass clarinet. “It so happens,” wrote …

The state of opera: 1720s

In 1720 in Italy, opera was largely dictated by the egos of the singers, rather than considering the text, or …

This music is too hard

In 1862 Brahms went to Vienna: Although he been in Vienna only a few weeks, Brahms was already making a …

To be a good player

Bach was once complemented on his organ playing: “There is nothing remarkable about it.  All one has to do is …

Two hands or one

American pianist Seymour Lipkin, a student of Rudolf Serkin recalled a performance of Beethoven’s Hammerklavier SonataBack in the 1970s I …

Vladimir Horowitz on encores

”You see,” he said, ”I have a very substantial program, and after a substantial program, you can’t play a substantial …

What a difference an audience makes

Mozart was in Paris in 1778. He visited the duchess of Chabot, Elisabeth-Louise de la Rochefoucauld, wife of Louis-Antoine-Auguste de …

Where to curse the orchestra

The following is an account of the conductor Hans von Bülow:Bülow’s close relationship with his Berlin audience was not achieved …

Who needs four strings anyway?

In his work Le Streghe (The Witches), the virtuoso violinist Paganini would use scissors to reduce the number of strings …

Word of mouth encore

Leopold Stokowski gave the Philadelphia premiere of Ravel’s Bolero as an “encore” at a Friday afternoon concert.The newspaper critics had …

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Karajan and direction
Seiji Ozawa recalls Karajan’s overarching concept of music: I really shouldn’t start comparing Karajan and Bernstein. I’m thinking of the word “direction” – the direction of the music. In Maestro Karajan’s case, he had it from birth – the ability to make long phrases. It was something he taught us, the ones who studied with […]
The role of an interpreter
The interpreter is really an executant, carrying out the composer’s intentions to the letter. He doesn’t add anything that isn’t already in the work. If he is talented, he allows us to glimpse the truth of the work that is in itself a thing of genius and that is reflected in him. He shouldn’t dominate […]
Claudio Arrau in Newcastle
While the Century Theatre in Broadmeadow (Australia) primarily operated as a cinema, it was also hosted concerts, including by the Sydney Symphony Orchestra. On one occasion, Claudio Arrau performed in the theatre, as recalled by Harry Armstrong: With only a few minutes to go before the famous pianist was scheduled to commence his performance, which […]
Pablo Casals’ obligation
“I am a very simple man. I am a man first, an artist second. My first obligation is to the welfare of my fellow man. I will endeavour to meet this obligation through music, since it transcends language, politics and national boundaries.” – Pablo Casals, Spanish cellist. Source: pablocasals.com. Accessed 22 Jan 2013.
Half a sonata
Sergei Prokofiev was once asked to give a piano recital. He declined, offering this explanation: “It would cost me half a sonata.” Source: Samuel, Prokofiev
Strings
Cello and piano String ensemble
Abstraction IV
Title: Abstraction IV Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLE:
Music which never leaves
‘”Great music is that which penetrates the ear with facility and leaves the memory with difficulty.  Magical music never leaves the memory.” Sir Thomas Beecham Speech, c.1950, quoted in The Sunday Times, 16 September 1962
Music: the product of feeling and knowledge
Music is at once the product of feeling and knowledge, for it requires from its disciples, composers and performers alike, not only talent and enthusiasm, but also that knowledge and perception which are the result of protracted study and reflection. Hector Berlioz, A Travers Chants. Cited in I. Lipsius, Thoughts of Great Musicians, London, Augener, […]
A task no longer
“Set me a task in which I can put something of my very self, and it is a task no longer. It is joy and art.” -Carman Bliss, Canadian Poet Cited at QuotationsBook