Energy from work

“The more work that you make, the more energy you have to make work.”

– Garry Stewart, artistic director of the Adelaide-based Australian Dance Theatre.

Edwards, Verity. “Dance maker with edge on top of world”, The Australian, 22 July 2011, p.7.

 


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The effect of Tchaikovsky’s music on his patroness
Nadyezhda Filaretovna von Meck was Tchaikovsky’s patroness.  In March 1877 she wrote of the effect of Tchaikovsky’s music on her.  The work being described is a Marche Funèbre on a theme from Oprichnik (this work is now lost).    It is so superb that, as I had hoped, it elevates and transports me into a […]
Adding quality music to the world
“My music is melodic.  After all, why add to the world’s problem’s with bad music.” Alexander Prior, composer. Source: Classic FM, December 2009, p.9
Creativity
“Creativity is inventing, experimenting, growing, taking risks, breaking rules, making mistakes, and having fun.” — Mary Lou Cook, American community activist and author Reagan, M., Phillips, B. (1995)  The All-American Quote Book. United States: Harvest House, p. 68.
Dress regulations for Handel’s Messiah
In the eighteenth century, hooped skirts were a popular choice of ladies dress attire as they enabled a dramatic entrance, and also flattered the figure when pregnant. They did take up considerable space though. For the performance of the Messiah Handel instructed the ladies to come without hooped skirts, and gentlemen without their swords. The […]
Quasi Dance II
Title: Quasi Dance II Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLE:
Elgar’s football team
Elgar loved his football, particularly the Wolverhampton team.  His friend Dorebella recalled the first match he attended at Wolverhampton: It all delighted him. The dense crowd flowing down the road like a river; the roar of welcome as the rival teams came on to the ground; the shouts of men calling to their player friends […]
Practice slowly
“One must practice slowly, then more slowly and finally slowly.” – Camille Saint-Saëns Cited in: The Piano Quarterly, 1974, p. 24.
Mozart on aesthetics
Mozart’s musical aesthetics are revealed in a letter to his father about Osmin’s first aria in The Abduction of the Seraglio (Die Entführung aus dem Serail).  The Eighteenth century classical ideals of balance and refinement are evident: I have sent you only the beginning and the end of the aria.  I think it will prove […]
Remembering J. S. Bach
Carl Philip Emanuel Bach recalled his father’s (Johann Sebastian) talents as a musician: The exact tuning of his own instruments, and of the whole orchestra, had his greatest attention. No one could tune and quill his instruments to his satisfaction; he did it all himself. The positioning of an orchestra he understood perfectly. He made good use of […]
Teddy Bear’s Picnic
American composer John Bratton wrote the music for “Teddy Bear’s Picnic” in 1907. It was first published by M. Witmark & Sons as a piano work titled “The Teddy Bears Picnic. Characteristic Two Step”. Irishman Jimmy Kennedy added the lyrics in 1932. Dance Band leader Henry Hall hosted a radio program on the BBC which […]