“Opera in English, is about as sensible as baseball in Italian.” – H. L. Mencken, twentieth century American journalist, critic, and satirist. Peter, Lawrence J. (ed) (1977) Quotations for Our Time

“Without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of the imagination is incalculable.” – Carl Jung, Swiss psychiatrist and founder of Analytical Psychology Quoted at QuotationsBook  

In mid-nineteenth century England, whistling was a common source of entertainment and as part of the general reception to a piece of music. An article in March 1854 in The Musical Times reported: We were sorry to hear the vile practice of whistling again carried on to some extent at the concert; were the well-meaning […]

Composer:  Pytor Il’yich Tchaikovsky (arr. Greg Smith) Title: A Tear Hangs There (Слеза дрожит), Op. 6. No. 4 Instrumentation: Cello and piano Product medium: PDF score and part Sample:

The theatre director Rouben Mamoulian describes Gershwin’s playing: George at the piano was George happy … like a sorcerer celebrating his Sabbath.  He would draw out a lovely melody like a golden thread, then juggle it, twist it and toss it around mischievously, weave it into unexpected intricate patterns, and hurl it into a cascade […]

Title: Abstraction XIII Composer: Greg Smith Instrumentation: Piano Product medium: PDF score     Related products:     – Abstraction XIII (mp3)  

“All I have left is a long nose and a fourth finger out of practice.” Chopin, in Scotland, unable to visit his friend Julian in London because of ill health. Cited in: Zaluski, Iweo & Pamela (1993) The Scottish Autumn of Frederick Chopin. Edinburgh: John Donald Publishers, p.23.

Humorists Ilf and Petrov described a concert by Rachmaninoff In New York (November 1935): The night we went to hear him he appeared tall, bent, and thin, with a long sad face, his hair closely clipped; he sat down at the piano, separated the folds of his old-fashioned back swallowtail, adjusted one of his cuffs […]

It is the function of art to bring to us emotions, thoughts, states of mind and heart which are larger and more exalted and more intense than those we can produce ourselves, but which we can still recognize as possible within the compass of our imagination, still lying within our capacity for thinking and feeling. […]

Scriabin’s fiery D#-minor Etude, with its relentless triplets and huge leaps, used to just fall under my fingers, while the Lento final movement of the Copland Sonata was a minefield of wrong notes. Why is that? Is it just because we practice hard music 20 times as much as easy music, or is it psychological, […]