Where to curse the orchestraThe following is an account of the conductor Hans von Bülow: Bülow’s close relationship with his Berlin audience was not achieved without some stress and strain along the way. At a Philharmonic concert in January 1892, a half-dozen latecomers, who had been held up at the cloakroom during the intermission, made a noisy entrance in […]
What about me?Songwriter Johnny Green recalled Gershwin bragging about his achievements after a concert, eventually to stop and say: “That’s enough about me. Now what did you think about how I played?” Cited in: Greenberg, Rodney (2008) George Gershwin. New York: Phaidon Press, p.46.
Arnold on culture“Culture, the acquainting ourselves with the best that has been known and said in the world, and thus with the history of the human spirit.” Matthew Arnold (poet and scholar), Preface to Literature and Dogma (1873 edition), https://en.wikisource.org/wiki/Literature_and_Dogma/Introduction, accesssed 29 August 2021.
Elgar’s distractionsIn a radio interview in 1937, Edward Elgar’s violinist friend William H. Reed described Elgar’s “distractions” while composing the violin concerto: I can never play the last movement without seeing the River Wye flowing past the meadow at Hereford where Sir Edward and I used to practise throwing a boomerang in our “off-time” between working […]
Abstraction IIITitle: Abstraction III Composer: Greg Smith Instrumentation: Trombone and piano Product medium: PDF score and part SAMPLE:
Schumann as a studentSchumann studied with Dorn, the conductor at the civic theatre. Dorn recalled: Having completed exercises in figured-bass realization, chorale harmonization, and canon, teacher and student moved on to double counterpoint. Intrigued by the mysteries of this discipline, and reluctant to tear himself away from his desk, Schumann once requested that his lesson take place in […]
Richter on Scriabin“Scriabin isn’t the sort of composer whom you’d regard as your daily bread, but is a heady liqueur on which you can get drunk periodically, a poetical drug, a crystal that’s easily broken.” -Sviatoslav Richter, pianist Monsaingeon, Bruno (2001). Sviatoslav Richter: Notebooks and Conversations. Princeton University Press, p.267 Cited at: Wikipedia
Hoyt Curtain’s compositional processHoyt Curtin (1922-2000) was the primary composer for the Hanna Barbara studios. Popular theme songs he composed include The Flintstones, Top Cat, The Jetsons, Johnny Quest, Superfriends, Josie and the Pussycats, The New Scooby-Doo Movies, and The Smurfs. Of these, his favourite was The Flintsones, “I guess because it is a kick to hear musicians […]
Part of the bigger pictureLeopold Stokowski conducted the American premier of Berg’s opera Wozzeck in 1930 (a joint effort of The Philadelphia Orchestra, the Phildelphia Grand Opera, and Curtis Institute). Abram Chasins recalls a rehearsal: I attended his second rehearsal with the orchestra in the pit and singers on the stage. After some twenty minutes of singing and acting, […]
How caffeine can cramp creativity(250, 308, ‘How Caffeine Can Cramp Creativity’, ‘how-caffeine-can-cramp-creativity’, ‘ Caffeine can boost energy, reduce fatigue, and increase short term concentration and problem solving skills. However, creativity is haboured in a less focused mind: Creative insights and imaginative solutions often occur when we stop working on a particular problem and let our mind move on to […]