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“Our modernized minds need to be musicalized. We have defied the intellect … and developed only half of man’s possibilities. There is no other human activity that asks for such a harmonious cooperation of “intellect” and “soul” as artistic creation, especially music.” Ernst Levy, Swiss composer, musicologist, pianist and conductor. Cited in: Kimball, K., Petersen, […]

With shifts in the commercial music industry away from smooth jazz, musicians are finding new niches for smooth jazz such as cruises. Twenty years ago, of course, smooth jazz wasn’t a code to be cracked so much as a wave to be caught. Like most species of pop, it felt ubiquitous and maybe a little […]

Some curious answers for the Society of Arts published in the Musical Times (English Journal), July 1888: The Examiner’s report on the papers worked by the candidates in the recent Theoretical Examinations of the Society of Arts shows some very curious facts. … Mistakes in spelling have not been accredited with loss to to the […]

Isaac Goldberg, a friend of George Gershwin, described the composer’s personality: HE was as simple, as unaffected, as modest, and as charming a youth as one could desire to meet. There was nothing about him that was forbidding. He wore his unprecedented celebrity as lightly as if it were a cane – that cane which […]

“Out of suffering have emerged the strongest souls; the most massive characters are seared with scars.” – Kahlil Gibran, Broken Wings

Mozart’s Magic Flute uses a glass harmonica or keyed glockenspiel to represent a set of magic bells. “Mozart’s original score for the 1791 opera The Magic Flute called for a glass harmonica or keyed glockenspiel to represent a set of magic bells. The instruments were obscure even in Mozart’s day but more than 200 years after his […]

American pianist Seymour Lipkin, a student of Rudolf Serkin recalled a performance of Beethoven’s Hammerklavier Sonata Back in the 1970s I gave a recital at Curtis at Mr. Serkin’s invitation.  I was playing the Hammerklavier in those years.  Why, in my right mind … I should never have … but I did.  There, sitting in […]

“I do think audiences become more sophisticated. You try something out on them and they say, “Ugh”. You try it a second time and they say, “Oh”. You try it a third time and they say, “Ooh”. You try it a fourth time and they say, “Oh, that’s awfully old hat.”’ He laughs. ‘That’s the […]

Ravel in conversation with Mme André Bloch: “I don’t have ideas.  To begin with, nothing forces itself on me.” “But if there’s no beginning, how do you follow it up? What do you write down first of all?” “A note at random, then a second one and, sometimes, a third.  I then see what results.  […]

It happens because you identify so completely with the composer, you’ve studied him so intently, that it’s as though you’ve written the piece yourself. You completely forget who you are or where you are and you write the piece write there. You just make it up as though you never heard it before. Because you […]