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Is genius original? What is original? Originality wasn't a must in Mozart's day. He was like everyone else, only more so. Like everyone else – but no one was like him. Artists don't necessarily feel more deeply than you or me; it's just that they can take the fugitive feelings we all recognize and congeal […]

An account of Beethoven being lost in his creative world: Thayer tells us of a conversation he had with a Professor Blasius Höfel, a teacher of fine arts at Weiner Neustadt, a little town near Vienna.  one evening, Höfel was in a tavern with some of his colleagues, the Commissioner of Police being a member […]

“The silence that accepts merit as the most natural thing in the world, is the highest applause.” — Ralph Waldo Emerson “An address delivered before the senior class in Divinity College, Cambridge, Sunday Evening, July 15, 1838”, The Works of Ralph Waldo Emerson, in 12 vols. Fireside Edition (Boston and New York, 1909). Vol. 1 […]

Schubert’s report card in in the Music of the Court Chapel Choir-Boys in the I. & R. Seminary, 1st term, 1809: Name Morals Studies Singing Pianoforte Violin Remarks Schubert Franz v. good good v. good good v. good A musical talent Report card for the Scholars of the First Grammar Class at the University Preparatory […]

“It is by teaching that we teach ourselves, by relating that we observe, by affirming that we examine, by showing that we look, by writing that we think, by pumping that we draw water into the well.” —Henri Frederic Amiel.  Swiss philosopher, poet & critic. H. F. Amiel, Amiel’s Journal, trans. H. Ward, London, Macmillan […]

Leonard Bernstein and Mildred Spiegel attended the Boston Symphony Orchestra season in 1933. They sat, she remembers, in the second balcony “under one of the male Greek nude statues.” One evening, during a standing ovation for the orchestra’s music director, Serge Koussevitzky, Lenny “just sat there” clapping very softly. “What’s the matter,” I asked, “didn’t […]

Title: The Lord is my light (Setting II) Text: Psalm 26 (27): 1, 4, 13-14. R. v.1 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

“Melody is the essence of music”, continued he; “I compare a good melodist to a fine racer, and counterpointists to hack post-horses; therefore be advised, let well alone, and remember the old Italian proverb – ‘Chi sa piu, meno sa – Who knows most, knows least’.” The Reminiscences of Michael Kelly, 1826. Cited in: Marshal, […]

Ravel’s infamous Boléro was somewhat created by chance: Shortly before Ravel left for America, the Russian dancer Ida Rubinstein had asked him for a ballet to be based on orchestrations of parts of Albéniz’s Iberia. To this he agreed; with so much on his plate he was not anxious to undertake further commitments for wholly original composition. […]

“If I could express the same thing with words as with music, I would, of course, use a verbal expression. Music is something autonomous and much richer. Music begins where the possibilities of language end. That is why I write music.” Jean Sibelius, in an interview with Berlingske Tidende, 10th June 1919. Cited at: www.sibelius.fi […]