Sergei Prokofiev was once asked to give a piano recital. He declined, offering this explanation: “It would cost me half a sonata.” Source: Samuel, Prokofiev

A letter from the conductor Leopold Stokowski to Sylvan Levin gives an insight into his sense of humour: Caro Maestro Illustre, Now that you have not a thing to do!!!!! Do you think you would have time to do me a favor and time the whole of Parsifal without cuts?  I suggest you do this […]

Greatness means the construction of an inner world, and the communication of this inner world to the physical world of humanity.  The two belong together; neither is thinkable without the other.  The strongest feeling and the most vivid imagination are worthless to humanity if they do not manifest themselves; the greatest constructive talent is worthless […]

Title: The Lord hears the cry of the poor Text: Psalm 32 (33): 2-3, 17-19, 23 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

‘The following is an account of the conductor Hans von Bülow: Young composers whom Bülow decided to feature in the concerts were encouraged to present themselves at the rehearsals, and even to direct the orchestra themselves, whenever it was deemed to be helpful.  We can only admire the resourcefulness of the budding symphonist who, in […]

In its span of seven octaves [the piano] embraces the range of an orchestra; the ten fingers of a single man suffice to render the harmonies produced by the combined forces of more than 100 concerted instruments. We make arpeggios like the harp, prolonged notes like wind instruments, staccatos, and a thousand other effects which […]

“Writing and performing an opera, creating any work of art in a world of violence and ease, hunger and obesity, could seem to be an act of private withdrawal. But art isn’t about itself, it’s about how men relate to the world and each other … Asking artists to keep politics out of art is […]

It was in the eventful year, then, of 1813—the year of “Il Figlio per Azzardo”, with its obbligato accompaniment for lamp-shades of “Tancredi” and of “L’Italiana in Algeri”—that Rossini was writing one morning in bed, when the duet on which he was engaged fell from his hands. “Nothing easier”, an ordinary composer would say, “than […]

“The more work that you make, the more energy you have to make work.” – Garry Stewart, artistic director of the Adelaide-based Australian Dance Theatre. Edwards, Verity. “Dance maker with edge on top of world”, The Australian, 22 July 2011, p.7.  

Leopold Stokowski was a champion of contemporary music. He conducted music without judgement, believing judgement to be the public’s job. During the Philadelphia Symphony Orchestra’s 1915-16 season,he programmed orchestral suites from Stravinsky’s Firebird and Petrushka, Richard Strauss’ Alpine Symphony, Scriabin’s Poem of Ecstasy, and Schoenberg’s Kammersymphonie No. 1. “This last, very cerebral work, although not […]