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One fearful winter’s day in Vienna, in 1794, the snow standing deep and still falling fast, the traffic almost entirely suspended in the streets, Countess Teresa Brunswick, then a girl of fifteen, was waiting for Beethoven’s arrival, to give her her pianoforte lesson. Weather never stopped him; but when he appeared it was obvious that […]

The framework of a symphony must be so strong that it forces you to follow it regardless of the environment and circumstances: [it is] an “ethical necessity”. Jean Sibelius, to Jussi Jalas, 1 October 1939 Cited at: www.sibelius.fi [accessed 31 Mar 2010].

In its span of seven octaves [the piano] embraces the range of an orchestra; the ten fingers of a single man suffice to render the harmonies produced by the combined forces of more than 100 concerted instruments. We make arpeggios like the harp, prolonged notes like wind instruments, staccatos, and a thousand other effects which […]

Widmann, a Swiss poet, describes Brahms’ performing at the piano: The broad leonine chest, the Herculean shoulders, the mighty head which the player sometimes threw back with an energetic jerk, the pensive, handsome brow that seemed to radiate an inner illumination, and the Germanic eyes which scintillated with a wondrous fire between their fair lashes […]

Isaac Goldberg described Gershwin’s enthusiasm when conducting: He conducted not just with his baton, but with his cigar, his shoulders, his hips, his eyes and whatnot.  Nothing but a sense of propriety keeps him from leaping over the footlights and getting right into the show himself. Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon […]

Burt Bacharach was a student of Darius Milhaud, Bohusalv Martinu, and Henry Cowell. Bacharach’s hits included Magic Moments, Walk on by, The Look of Love, and Raindrops keep fallin’ on my head.

The following appeared in the Musical Times, August 1890: We read that “a Saxon engineer has invented an automatic machine, the object of which is to save conductors the physical part of their duties. By pressing a button the apparatus, which is provided with an arm holding a conducting-stick, can be made to beat with the […]

An undiscovered piano piece by Brahms (entitled Albumblatt, meaning “sheet music from an album”) has been discovered by Christopher Hogwood at Princeton University. The tune reappears in second movement of Brahms’ Horn Trio, written 12 years later. Alex Needham, “Brahms piano piece to get its premiere 159 years after its creation”, The Guardian, 13 January […]

“People are mistaken, if they think that my art has come easily to me. I assure you, dear friend, no one has devoted so much effort in the study of composition as have I. There is scarcely a famous master in must whose works I have not diligently, and often repeatedly, studied.” – Mozart, in […]

Johannes Brahms could be incredibly rude, even to his friends. While playing a Beethoven sonata with a cellist friend one day, he applied his piano’s pedals with more enthusiasm than the friend had hoped. “Softer,” he pleaded, “I can’t hear my cello.” “You are lucky,” Brahms replied. “I can.” Source: N. Slonimsky, Book of Musical […]