Bernstein on composing

“There is something very satisfying about composing…you are letting yourself go, you write in a kind of trance, feeling you are doing very well. The next day you are quite capable of seeing that it wasn’t all that good, but that doesn’t matter so much.”

Leonard Bernstein, 1971

Cited at: Leonard Bernstein (@LennyBernstein) “There’s something very satisfying…”, Twitter, 24 August 2022, https://twitter.com/LennyBernstein/status/1562409388576362496?s=20&t=2GmFDokrhFC0jZqZdg6Ixg, accessed 29 August 2022.

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The Lord Upholds My Life – Psalm 53 (54)
Title: The Lord upholds my life Text: Psalm 53 (54):3-6. 8 Composer: Greg Smith Instrumentation: SATB and piano (unison verses) Product medium: PDF score and part Sample:
The Lord Hears the Cry of the Poor – Psalm 32 (33)
Title: The Lord hears the cry of the poor Text: Psalm 32 (33): 2-3, 17-19, 23 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Maiky’s recording of Bach’s cello suites
“The Latvian cellist Mischa Maisky recorded the Bach’s cello suites “at a small guest house he converted into a studio and called Sarabande, he had a fence built around it with all the notes of the fifth sarabande crafted on the metalwork.  He gleefully points out that the studio’s address is 720, his Montagnana cello […]
Learn my name
Stokowski’s ability to inspire musicians was sometimes balanced by the ability to turn them off.  Saidenberg altered me to a remarkable violinist who quit the Philadelphia Orchestra and went on to become America’s greatest authority on constitutional law.  “Raoul Berger was a wonderful violinist in the Philadelphia Orchestra.  One day at rehearsal, Stoki stopped the […]
Schoenberg’s composition class
An account of Arnold Schoenberg teaching a composition class: Well, first of all there was composition class, in which he analyzed in brief the first sections of several Schubert sonatas. How he adores Schubert! “Many people say,” he remarked, “that Schubert is too long. He is long-yes-but for me he is always too short!” Such […]
The art of whistling
In mid-nineteenth century England, whistling was a common source of entertainment and as part of the general reception to a piece of music. An article in March 1854 in The Musical Times reported: We were sorry to hear the vile practice of whistling again carried on to some extent at the concert; were the well-meaning […]
Ode I
Title: Ode IComposer: Greg SmithInstrumentation: PianoPerformer: Greg Smith (January 2010) Your browser does not support the audio element. Sheet music
Hoffman on technique
Technic  represents the material side of art, as money represents the material side of life.  By all means achieve a fine technic, but do no dream that you will be artistically happy with this alone.  There is a technic which liberates and a technic which represents the artistic self.  All technic ought to be a […]
Tin Pan Alley
Tin Pan Alley refers to the concentration of music publishers in New York City, West 28th Street between Fifth and Sixth avenues.  It started around 1885 and lasted till the depression in the 1930s.  It’s title comes from the the sound of all the cheap, tinny pianos playing, being likened to the beating of  tin […]
Parry on choral music
Hubert Parry, who taught Vaughan Williams composition, instructed the composer to “write choral music as befits and Englishman and a democrat.” Vaughan Williams recalled that “this attitude to art led to an almost moral hated of mere luscious sound…” Vaughan Williams, cited in Holmes, Paul (1997) Vaughan Williams. London: Omnibus Press, p.17.