Music transcription

Transform audio into a notated score.  Music transcription can be particularly useful to composers and performers that incorporate elements improvisation into live performances or composition method. From cadenzas, improvised solos, to whole pieces of music; Emotemuse Music Services can provide music transcription services that suit your needs:
– Direct transcriptions: the exact ensemble performing is replicated (e.g., cello and piano to cello and piano; orchestra to orchestra)
– Adapted transcriptions (e.g., orchestra to piano; orchestra to an orchestra with adjusted instrumentation)
– Arranged transcriptions – transcriptions that are then arranged into a new form (e.g., additional counter-melodies added, alteration of harmonies, structure, etc.)

Instrumental forces:
– solo
– chamber ensemble
– choral
– bands
– orchestral

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Reverie II
Reverie II Composer: Greg Smith Instrumentation: Piano (left hand) Product medium: PDF score
Einstein as a musician
“If I were not a physicist, I would probably be a musician. I often think in music. I live my daydreams in music. I see my life in terms of music… I get most joy in life out of music.” – Albert Einstein Cited in: Lyth, David (2019) The Road to Einstein’s Relativity. Boca Ranton: […]
Baroque they are not
Between 1910 and 1938 the Austrian violin virtuoso Fritz Kreisler produced some arrangements of works by Boccherini, Martini, Couperin, Vivaldi and Porpora. They were positively achieved by the crticis.  In 1935, Kreisler revealed that there were not arrangements at all, but in fact works which he had written from scratch.  Suddenly critic’s attitudes to the […]
Schoenberg’s composition class
An account of Arnold Schoenberg teaching a composition class: Well, first of all there was composition class, in which he analyzed in brief the first sections of several Schubert sonatas. How he adores Schubert! “Many people say,” he remarked, “that Schubert is too long. He is long-yes-but for me he is always too short!” Such […]
Gramophone: no substitute for live performance
British conductor Thomas Beecham was not too impressed with early recording technology (the gramophone): It was put to him that for people who lived in remote districts, far from orchestral concerts, the gramophone was an alternative: "It is no alternative to this," he said, waving his arm towards the hall, where the orchestra was waiting […]
Up close and personal with Glenn Gould
A film has been made of the personal side of Canadian pianist Glenn Gould: During his lifetime Gould was often portrayed less as a real person than a collection of tics — perhaps even more so in the many books and films about him that have been issued since his death. At times he has […]
Imagination disposes and creates
“Imagination disposes of everything; it creates beauty, justice, and happiness, which is everything in this world.” — Blaise Pascal, French mathematician, physicist, and religious philosopher. Ramage, Craufurd Tait (1866) Beautiful Thoughts from French and Italian Authors.  Liverpool: Edward Howell, p.232. Digitally archived at https://play.google.com/books/reader?id=nDErAAAAYAAJ&hl=en_AU, accessed 12 September 2021.
Tchaikovsky’s output
“The secret of the vital power of Tchaikovsky’s music lies in the fact that there is virtually not a single province of his music–from the gems of Russian chamber music that issued from his pen to his greatest operas or symphonic poems–in which the appeal and effect of the music was less than in any […]
Elgar on his Violin Concerto
“It’s good! Awfully emotional! Too emotional, but I love it…” Edward Elgar on his own Violin Concerto Jeremy Pound, “First Violin”, BBC Music Magazine, October 2010, p. 36.
Pablo Casals’ obligation
“I am a very simple man. I am a man first, an artist second. My first obligation is to the welfare of my fellow man. I will endeavour to meet this obligation through music, since it transcends language, politics and national boundaries.” – Pablo Casals, Spanish cellist. Source: pablocasals.com. Accessed 22 Jan 2013.