Jack Sparrow (Pirates of the Caribbean: Dead Man’s Chest)Title: Jack Sparrow, from Pirates of the Caribbean: Dead Man’s ChestComposer: Hans ZimmerArranger: Greg SmithInstrumentation: Solo cello, string orchestra, tom-tom (optional)Product medium: PDF score and parts Available from Sheet Music Plus and Sheet Music Direct
The RinkTitle: The Rink (Silent film soundtrack) Composer: Greg Smith Instrumentation: Piano Product medium: PDF score Related products: – The Rink – MP3 soundtrack BACKGROUND: FILM: Written by: Charles Chaplin, Vincent Bryan & Maverick Terrell Starring: Charles Chaplin, Edna Purviance, Eric Campbell, Henry Bergman & Albert Austin Directors: Charles Chaplin & Edward Brewer Year of release: […]
Cello and pianoCreative people produce being“Creative people, as I see them, are distinguished by the fact that they can live with anxiety, even though a high price may be paid in terms of insecurity, sensitivity, and defenselessness for the gift of the “divine madness,” to borrow the term used by the classical Greeks. They do not run away from non-being, […]
Mozart’s daily schedule“…at 6 o’clock in the morning I’m already done with my hair; at 7 I’m fully dressed; – then I compose until 9 o’clock; from 9 to 1 o’clock I give lessons. – Then I Eat, unless I’m invited by someone who doesn’t eat lunch until 2 or 3 o’clock as, for instance, today and […]
Where to curse the orchestraThe following is an account of the conductor Hans von Bülow: Bülow’s close relationship with his Berlin audience was not achieved without some stress and strain along the way. At a Philharmonic concert in January 1892, a half-dozen latecomers, who had been held up at the cloakroom during the intermission, made a noisy entrance in […]
Improvising a fugueOn 1 May 1747, Bach met Friedrich II, King of Prussia, in the Potsdam city palace (where chamber music was usually played from 7-9pm daily). Johann Forkel recalled: in 1802 The king used to have every evening a private concert, in which he himself generally performed some concertos on the flute. One evening, just as […]
The experience of composition“I am not suited to ‘writing music’. All has to be experienced.” -Jean Sibelius Cited in:Goss, Glenda (2009) “Sibelius”. Chicago: The University of Chicago Press, p. 6.
The art of whistlingIn mid-nineteenth century England, whistling was a common source of entertainment and as part of the general reception to a piece of music. An article in March 1854 in The Musical Times reported: We were sorry to hear the vile practice of whistling again carried on to some extent at the concert; were the well-meaning […]
Bunking down in the PhilharmonicCellist Gregor Piatigorsky, after running into some problems with his accommodation, was spending a cold November day in the Tiergarten, Berlin, in 1923. Throughout the course of the day, he was approached by Paul Bose to play Schoenberg’s Pierrot Lunaire. It began to rain. In Moscow it probably is snowing now, I thought absently, making […]