Artists and originalityIs genius original? What is original? Originality wasn't a must in Mozart's day. He was like everyone else, only more so. Like everyone else – but no one was like him. Artists don't necessarily feel more deeply than you or me; it's just that they can take the fugitive feelings we all recognize and congeal […]
Ravel’s fine attributes as a composerOn his tour to America in 1928, Ravel was highly praised by music critics. In the New York Times, Olin Downeswrote: Never to have composed in undue haste; never to have offered the public a piece of unfinished work; to have experienced life as an observant and keenly interested beholder, and to have fashioned certain […]
Start with one noteRavel in conversation with Mme André Bloch: “I don’t have ideas. To begin with, nothing forces itself on me.” “But if there’s no beginning, how do you follow it up? What do you write down first of all?” “A note at random, then a second one and, sometimes, a third. I then see what results. […]
The Just Will Live in the Presence of the Lord (Setting II) – Psalm 14 (15)Title: The just will live in the presence of the Lord (Setting II) Text: Psalm 14 (15):2-5 (setting ii) Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
A Light Rises in the Darkness – Psalm 111 (112)Title: A Light Rises in the Darkness Psalm 111 (112): 4-9 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part.
Through teaching we teach ourselves“It is by teaching that we teach ourselves, by relating that we observe, by affirming that we examine, by showing that we look, by writing that we think, by pumping that we draw water into the well.” —Henri Frederic Amiel. Swiss philosopher, poet & critic. H. F. Amiel, Amiel’s Journal, trans. H. Ward, London, Macmillan […]
Some curious devicesIn the late nineteenth-century, some quite curious mechanical inventions were created to deal with the body with relation to pianists and conductors. The following is an account of a presentation by T. L. Southgate on The Physiology of Pianoforte Piano. The paper presented was written by W. Macdonald Smith. This account appeared in the […]
Don’t loaf and invite inspirationDon’t dash off a six-thousand-word story before breakfast. Don’t write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen. Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will none the less get something that looks remarkably like it. […]
A very specific error indeedThe following is an account of the conductor Hans von Bülow: The newspaper critics Bülow continued to despise because of their self-importance, and he lost no opportunity to expose their musical ignorance. On one occasion, Bülow, at a public rehearsal in the Philharmonie, remarked upon a printing error in the second horn part of the […]
