American composer Aaron Copland discusses the influence of Jazz on his musical style: was a very important influence at one time. I wrote a Piano Concerto in 1927 which was largely based on jazz materials. Jazz, of course, is for us a very typical American musical expression, which we have not so successfully been able […]

Igor Stravinsky’s Circus Polka: For a Young Elephant to be performed by young elephants (a collaboration with American choreographer George Balanchine. It ended up being performed by older elephants – the main star being Big Modoc (41 years of age). Each elephant wore a join pink tutu. Source: Dixon, Gavin “Igor Stravinsky’s pachyderm polka”, Classic […]

I. Dolce II. Allegro assai III. Andante un poco IV. Presto Prior to J. S. Bach, the harpsichord in ensemble music was primarily a means of harmonic support. The harpsichordist would read from a figured bass—in other words, the part was rarely written out in full. Bach raised the level importance of the harpsichord to […]

Satie’s ballet Relâche (1924) had trouble pulling a crowd: the title translates as “this performances is cancelled”. Source: Lawrence, Christopher (2001) Swooning.  Sydney: Random House, p.70.

“In higher art, only that is worth being presented which has never before been presented.  There is no great work of art which does not convey a new message to humanity; there is no great artist who fails in this respect.  This is the code of honor of all the great art, and consequently in […]

The lesson which life constantly repeats is to ‘look under your feet.’You are always nearer to the divine and the true sources of your power than you think.The lure of the distant and the difficult is deceptive.The great opportunity is where you are.Do not despise your own place and hour.Every place is under the stars.Every […]

“Failure to prepare is preparing to fail.” — John Wooden, American basketball player. Wooden, John (1988) Modern Practical Basketball.  Macmillan, p.234

“Every disease is a music problem, its cure a musical solution.” Novalis, 18th century German author, mystic and philosopher. Cited in: Inge Kjemtrup, “The power of music therapy”, Pianist, Issue 59, April-May 2011. Warners Group Publications, p.66.

Beethoven on the development of the piano as an instrument in its own right: There is no doubt that so far as the manner of playing it is concerned, the pianoforte is still the least studied and developed of all instruments; often one thinks that one is merely listening to a harp.  And I am […]

From pure sensation to the intuition of beauty, from pleasure and pain to love and the mystical ecstasy and death—all the things that are fundamental, all the things that, to the human spirit, are most profoundly significant, can only be experienced, not expressed. The rest is always and everywhere silence. After silence that which comes […]