Art and patience“Good art is nothing more than infinite patience.” William Wallace Kimball, founder of Kimball Piano Company Cited in: Cited in: Kimball, K., Petersen, R., Johnson, K. (1990) The Music Lover’s Quotation Book. Toronto: Sound and Vision, p. 85.
What a difference an audience makesMozart was in Paris in 1778. He visited the duchess of Chabot, Elisabeth-Louise de la Rochefoucauld, wife of Louis-Antoine-Auguste de Rohan. Mozart described the visit in a letter to his father: A week went by without any reply, but she had informed me to see her in a week’s time, so kept my word and […]
The career of a musician compared to other artsThe career of a musician out to be — it is, actually, and in many ways — different from the careers of artists in other fields of art. All comparisons of the other arts with music are necessarily somewhat superficial. The art of music needs, essentially, not much contact with social groups, or concern with […]
A Beethoven fanIn an interview with Beethoven scholar K. E. L. Nohl, Schubert’s friend, Moritz von Schwind revealed that Schubert sold his books so that he could get tickets to the third version of Beethoven’s opera, Fidelio. Ferdinand Luib In an interview with Ferdinand Luib, Anselm Hüttenbrenner stated that Schubert’s favourite works were Beethoven’s Fifth Symphony, Mass […]
Master of the Tomb (The Boy and the Heron)Composer: Joe HisaishiArranger: Greg SmithTitle: “Master of the Tomb”, from The Boy and the HeronInstrumentation: Piano Solo This item is available from Sheet Music Direct and Sheet Music Plus.
The value of education“If you think education is expensive, try ignorance.” Derek Bok, American lawyer and educator Cited at: QuotationsBook
Rachmaninoff’s concert routineReporters described Sergei Rachmaninoff on a concert tour (c. 1940): His punctuality is a legend. If a reporter asks for two minutes of his time, two minutes and no more are given. Consequently he arrives at a concert hall on the dot of 8 and goes on the stage precisely at 8:30. If the concert […]
Reverie IIReverie II Composer: Greg Smith Instrumentation: Piano (left hand) Product medium: PDF score
Debussy’s reception in EnglandIn 1908-9, Claude Debussy made two appearances conducting his own works in England. The Musical Times reported on the occasions. The report on the first concert: Nothing could have been heartier than the applause which greeted M. Claude Debussy as he stepped on to the platform at Queen’s Hall on February 1. The warmth of […]
Playing with fantasy“Without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of the imagination is incalculable.” – Carl Jung, Swiss psychiatrist and founder of Analytical Psychology Quoted at QuotationsBook