Josef von Spaun recalled the following incident involving Franz Schubert at a concert. Schubert had just accompanied Baron Schönstein, at the house of Karolina Maria Kinsky (Princess, née Baroness Kerpen) when everyone loudly acclaimed Schönstein for his performance while taking no notice of the composer who had accompanied him, the princess sought to make amends […]

The best and only thing that one artist can do for another is to serve as an example and an inspiration. – Steven Pressfield S. Pressfield, The War of Art: Break Through the Blocks and Win Your Inner Creative Battles, New York, Black Irish Entertainment, 2002, p.18

“Working to timings and synchronising your musical thoughts with the film can be stimulating rather than restrictive. Scoring is a limitation but like any limitation is can be made to work for you. Verdi, except for a handful of pieces, worked best when he was ‘turned on’ by a libretto. The most difficult problem in […]

One of the most magical passages in Tchaikovsky’s The Nutcracker is the Dance of the Sugar-Plum Fairy. The featured instrument, the celeste, was a relatively new invention, having only been developed by a Parisian harmonium builder, Auguste Mustel, in 1886. The French word “céleste” translates to “heavenly”. Tchaikovsky first discovered the celeste while visiting Paris […]

Title: Who is the king of glory? Text: Psalm 24 (23): 7-10. R. v.8 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

TITLE: Lord, every nation on earth will adore you (setting ii) TEXT: Psalm 71 (72): 1-2, 7-8, 10-13. R. cf. v.11 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano PRODUCT MEDIUM: PDF score and part

“Spotlights dance down on 216 jewels of lead crystal, set in dazzling diamond patterns into the piano’s black lid, sides, legs, fallboard and bench. Each jewel features several hundred to several thousand intricately cut, ground and polished pieces of crystal — nearly a half-million in all.” Glass artist Jon Kuhn has collobarated with Bosendorfer to […]

“The tragedy of music is that it begins with perfection.” – Morton Feldman, American composer. Cited in a May 1976 interview, Studio International, November 1976, pp. 244-248.

[wm_website_map id=”1″]

Title: Smooth Sailing Composer: Greg Smith Instrumentation: Piano duet Level: Piano 1 – 1.1 (five finger position) Product medium: PDF score (audio of accompaniment track only)