The composer does not sit around wait wait for inspiration to walk up and introduce itself … Making music is actually little else than a matter of invention aided and abetted by emotion. In composing we combine what we know of music with what we feel. — George Gershwin Isaac Goldberg. Tin Pan Alley. New […]

“One should either be a work of art, or wear a work of art.” Oscar Wilde, Phrases and Philosophies for the Use of the Young

Bernstein is intent on demonstrating that the inevitable doesn’t just happen. It comes from intense work. To show this, he restores a handful of Beethoven’s discarded sketches to the score so that we can hear how the Fifth would have sounded if Beethoven had retained his first (or second or 10th) thought. Some discarded passages […]

I frequently hear music in the very heart of noise. — George Gerswhin Goldberg, Isaac, and Garson, Edith. George Gershwin: A Study in American Music. United Kingdom, F. Ungar Publishing Company, 1958, p.139.

Concentrate all your thoughts upon the work at hand. The sun’s rays do not burn until brought to a focus. – Alexander Graham Bell Orison Swett Marden, (1901) “Bell Telephone Talk”, How They Succeeded. Boston: Lothrop Publishing Company, p. 38. Digitally archived at https://archive.org/details/howtheysucceeded00mardrich/mode/2up, accessed 11 September 2021.

A student of Rachmaninoff, Ruth Slenczynska, recalled: I remember how Rachmaninoff explained to me the problem of phrasing: he showed me an elastic band and stretched it slightly, then allowed it to bounce back; next, he stretched it beyond a certain point, and it snapped. He meant to say that no part of a musical […]

American composer Steve Reich on Schoenberg and his compositional style: Schönberg is the beginning of the death of German Romanticism. It’s about deciding that we didn’t need harmonic organization. But this was music for a small cadre of listeners. I think Schönberg said, “In fifty years, the postman will whistle my tunes.” Well, it’s been […]

Beethoven was premiering his piano duet, March (op. 45) with duet partner Ferdinand Ries.  When a young count spoke loudly to a lady friend in the room next door, Beethoven jumped up and shouted “I will not play for such swine.” Source: Arganbright, Nancy (2007) “The Piano Duet: A medium for Today”, The American Music […]

An allemande is a stately processional couple dance. The dances formed lines of couples, extended their hands, and moved forward and backward throughout the ballroom. It was a common stylised dance in baroque music. Johann Mattheson described it in 1739: Now the allemande is a broken, serious, and well constructed harmony, which is the image […]

For me, one of the ultimate goals of a performance is to make pieces come across as something new, something unexpected and fresh. As soon as you start working with historical instruments, you are jeopardising this aspect. It is very difficult to get away from that; some performers manage it magically, but I don’t see […]