Don’t wish me luck

“From here on out, I declare that no one ever wish me again to ‘break a leg’”.

Joyce DiDonato, American mezzo soprano, shortly after having broken a leg on stage in a production of The Barber of Serville at the Royal Opera House. DiDonato insisted on continuing the performance in a wheel chair.

Source: Kirkup, Sarah, “Backstage Blogging”, Classic  FM.  December, 2009, p. 52.


Posted

in

by


Featured Content

Stokowski and his audience
The conductor Leopold Stokowski had a love hate relationship with his audience: He wooed them and cajoled them, flattered them and then gently reproved them.  When they grew fidgety, he shamed them into attentiveness and concentration.  “Please don’t do that,” he once admonished an audience of program shufflers.  “We work hard all week to give […]
Up close and personal with Glenn Gould
A film has been made of the personal side of Canadian pianist Glenn Gould: During his lifetime Gould was often portrayed less as a real person than a collection of tics — perhaps even more so in the many books and films about him that have been issued since his death. At times he has […]
The Jankó Keyboard
The Hungarian mathematician, Paul von Jankó developed an alternate layout to the traditional piano keyboard. In July 1888, upon seeing a performance in London by John Carlowitz Ames, The Musical Times reported: The clever idea, which suggested itself to the inventor as a means for overcoming the difficulty of stretching long intervals on the pianoforte […]
The Fox (New Year’s Day)
Composer: Greg SmithTitle: “The Fox (New Year’s Day)” from Tableaux Performer: Greg Smith (January 2025)Instrumentation: Piano
Abstraction V
Title: Abstraction V Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLES:
Lord, Make Us Turn To You – Psalm 79 (80)
Title: Lord, make us turn to you Text: Psalm 79 (80) Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Pierrot Lunairre
A performance of Schönberg’s Pierrot Lunaire was given by Artur Schnabel (piano), Boris Kroyt (violin), Gregor Piatigorsky (cello), Paul Bose (flute), Marie Gutheil-Schoder (speaker), conducted by Fritz Stiedry. Gregor Piatigorsky was amused at the need for a conductor, given the size of the ensemble: The half-spoken, half-sung voice indicated in the score was partly filled […]
Mozart on Craft
“People are mistaken, if they think that my art has come easily to me. I assure you, dear friend, no one has devoted so much effort in the study of composition as have I. There is scarcely a famous master in must whose works I have not diligently, and often repeatedly, studied.” – Mozart, in […]
Brian Wilson to complete Gershwin songs
In a surprise union of two quintessentially American composers from different eras, one the 1960s mastermind of “Good Vibrations,” the other the Jazz Age creator of “Rhapsody in Blue,” former Beach Boy Brian Wilson has been authorized by the estate of George Gershwin to complete unfinished songs Gershwin left behind when he died in 1937. […]
The state of opera: 1720s
In 1720 in Italy, opera was largely dictated by the egos of the singers, rather than considering the text, or the composer: The satirical writer Marcello wrote that the opera composer will hurry or slow down the pace of an aria, according to the caprice of the singers, and will conceal the displeasure which their […]