Music is the real life

In modern life electricity plays a great part.  Sometimes it is used destructively – sometimes creatively – but there is another power which is like electricity, only far more subtle and penetrating.  This power is all-pervading.  It is omnipresent.  If we understood this power we would know the secret of the magical influence of music.  We would understand why the greatest music has such a sway over our hearts and minds and souls – why this invisible, intangible power can so magnetically influence our inner life.  For some of us this inner life – the life of dreams, of imagination, of visions – is the real life – the life we touch intimately.  The outer life seems definite – hard – concrete – but is really remote – the less real life.  This outer life sometimes delights and thrills us – but too often it disappoints us.  It is fleeting – superficial.  But the inner life never disappoints us – it is eternal.

Through music we see a vision, and something in us responds with intense longing – the never-ending thirst of the human soul for beauty – for the Ideal.  In our hearts we know we are in touch with some of life’s highest potentialities – we understand only dimly, but our inner voice tells us that in the greatest music we are vibrating in tune with beauty that is eternal.  When we reach its ultimate essence, music is the voice of the All – the divine melody – the cosmic rhythm – the universal harmony.

Leopold Stokowski, American conductor of Polish origin.

Cited in: Stokowski, Leopold (1943) Music For All Of Us.  New York City: Simon and Schuster, p. 321-322.


Posted

in

by


Featured Content

The Harmonic Palette: Exploration of Music Style
1 1
Entertaining to educate
“I would rather entertain and hope that people learned something than educate people and hope they were entertained.” — Walt Disney L. Howes, “20 Lessons from Walt Disney on Entrepreneurship, Innovation and Chasing Your Dreams”, Forbes, 17 July 2012, https://www.forbes.com/sites/lewishowes/2012/07/17/20-business-quotes-and-lessons-from-walt-disney/?sh=4b3af9d44ba9.
Modifications of Speed 1
Go to more crosswords
Elgar’s distractions
In a radio interview in 1937, Edward Elgar’s violinist friend William H. Reed described Elgar’s “distractions” while composing the violin concerto: I can never play the last movement without seeing the River Wye flowing past the meadow at Hereford where Sir Edward and I used to practise throwing a boomerang in our “off-time” between working […]
Pierrot Lunairre
A performance of Schönberg’s Pierrot Lunaire was given by Artur Schnabel (piano), Boris Kroyt (violin), Gregor Piatigorsky (cello), Paul Bose (flute), Marie Gutheil-Schoder (speaker), conducted by Fritz Stiedry. Gregor Piatigorsky was amused at the need for a conductor, given the size of the ensemble: The half-spoken, half-sung voice indicated in the score was partly filled […]
Lord, Let Your Mercy Be On Us – Psalm 32 (33)
Title: Lord, let your mercy be on us Text: Psalm 32 (33): 4-5, 18-19, 20-22. R. v.22 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
A performance can be greater than them
I remember a few years ago being at a summer academy in the south of France, with Dominique Merlet. The whole atmosphere was great there, as we were a group of like-minded people, keen to learn, work and share ideas in the gorgeous setting of a little medieval French village. The concert at the end, […]
Arnold on culture
“Culture, the acquainting ourselves with the best that has been known and said in the world, and thus with the history of the human spirit.” Matthew Arnold (poet and scholar), Preface to Literature and Dogma (1873 edition), https://en.wikisource.org/wiki/Literature_and_Dogma/Introduction, accesssed 29 August 2021.
The line and the harmony
Phrases have their own topography—they move forward with the line but also remain wedded to the ground with each change of harmony, and this is where the battle lies, why each piece of music grapples with its own destructive potential, why beauty is never what it appears to be. — Simon Tedeschi S. Tedeschi, Fugitive, […]
Pavarotti
“Pavarotti is like someone who has swalled a Stradivarious.” – Peter Ustinov Cited in: Jarski, Rosemarie (2005) Great British Wit.  London: Ebury Press, p. 203.