Vaughan Williams on Hubert ParryVaughan Williams studied composition with Dr. Hubert Parry at the Royal College of Music, London. Vaughan Williams recalled: Many … entirely misunderstood Parry; they were deceived by his rubicund bonhomie and imagined that he had the mind, as he had the appearance, of a country squire. The fact is that Parry had a highly nervous […]
Liberation from formalism“The present time has to a great extent liberated itself from symphonic form – from formalism. This started when the concert halls became empty, because that form has nothing to do with human beings. I believe that the present time is progressing.” Jean Sibelius, to Jussi Jalas, 17th July 1946 Cited at: www.sibelius.fi [accessed 31 […]
The construction of musicIt appears to me that the subject of music, from Machaut to Boulez, has always been its construction. Melodies of 12-tone rows just don’t happen. They must be constructed…. To demonstrate any formal idea in music, whether structure or stricture, is a matter of construction, in which the methodology is the controlling metaphor of the […]
Examination findingsSome curious answers for the Society of Arts published in the Musical Times (English Journal), July 1888: The Examiner’s report on the papers worked by the candidates in the recent Theoretical Examinations of the Society of Arts shows some very curious facts. … Mistakes in spelling have not been accredited with loss to to the […]
Arthur Schopenhauer on musicNow the nature of man consists in this, that his will strives, is satisfied and strives anew, and so on for ever. Indeed, his happiness and well-being consist simply in the quick transition from wish to satisfaction, and from satisfaction to a new wish. For the absence of satisfaction is suffering, the empty longing for […]
A little help with a fugueRachmaninoff had a little help with a fugue exam at the Moscow Conservatory in 1891: By mistake the examinations of Rachmaninoff in both piano and fugue were scheduled for the same day and hour, so his fugue examination was transferred to the following day, when he was to be examined alone, the rest of the […]
Brahms at the tavernWhen Brahms was young, he had to play in rowdy taverns to help support his family. Dance music was what the people in the taverns wanted, and Hannes would sometimes relieve the monotony by improvising variations on the popular waltzes of the day. But what finally made his work endurable was the discovery that while […]
Rafal Blechacz on interpretationMost of all, I give myself plenty of time to get familiar with the composition, to “grow into” its concepts. The composition “congeals” under your fingers and in your heart; each phrase becomes yours, and the artistic expression, which emanates from the piece, becomes your expression. Artistic intuition also plays an important role, although it […]
A mystery instrument createdMozart’s Magic Flute uses a glass harmonica or keyed glockenspiel to represent a set of magic bells. “Mozart’s original score for the 1791 opera The Magic Flute called for a glass harmonica or keyed glockenspiel to represent a set of magic bells. The instruments were obscure even in Mozart’s day but more than 200 years after his […]
It’s my apartment and I’ll play if I want toProkofiev and his family moved into a small top floor-apartments in Paris. Prokofiev spent much time practicing a revised version of his second piano concerto (which was to be premiered 8 May 1924). The apartment manager demanded that Prokofiev cease playing. His wife Lina recalled Prokofiev’s response: All right then, you don’t want to hear […]
