Julius Asal on pairing Scriabin with Scarlatti

In 2024, Julius Asal released an album that interwove works of Scriabin and Scarlatti. He stated:

…in finding a composer from another era who is totally different in style and aesthetics, then finding a new ‘room’ where they meet, I felt that perhaps they share an inner space through their miniature pieces and their quantity of detail, like small lights that appear and disappear again.

Julius Asal. Cited in: J. Duchen, “Improvisations on Scriabin and Scarlatti: Julius Asal follows his intuition”, Bachtrack, 9 August 2024, https://bachtrack.com/interview-julius-asal-scriabin-scarlatti-stage-plus-deutsche-grammophon-august-2024, (accessed 25 April 2025).

Posted

in

by

Greg

Tags:

, ,

Featured Content

Knowledge represents inner strength
“Knowledge is not a passion from without the mind, but an active exertion of the inward strength, vigor and power of the mind, displaying itself from within.” – Ralph Cudworth, Treatise Concerning Eternal and Immutable Morality (1731)
Haydn’s audition
Karl Georg Reutter II was appointed choirmaster at St. Stephen’s Cathedral in Vienna in 1738.  The following year he went on tour to recruit choristers.  In the town of Hainburg, Joseph Haydn (at stage seven years of age) auditioned.  The contemporary biography Guiseppe Carpani recalled: Reutter gave him a tune to sing at sight. The […]
The benefits of musical instruments
Many studies are now discovering that learning a musical instrument is something positive in itself – a discipline that helps a person to acquire skills of co-ordination. concentration, and perseverance. It shares these with sport, of course, but there is more. What makes playing a musical instrument worthy of special attention is that its physical […]
Bruckner the count
Anton Bruckner developed a condition call numeromania that compelled him to count everything – cathedral gables, stars, leaves on the trees; even the number of bars in his lengthy symphonies. Source: Lawrence, Christopher (2001) Swooning.  Sydney: Random House, p.70.
Waste no note
“Never write an unnecessary note. Every note must live.” Jean Sibelius, in a radio interview with Kalevi Kilpi, 1948) Cited at: www.sibelius.fi [accessed 31 Mar 2010]. 
The price of an encore
At a concert in London in December 1911, Rachmaninoff was received to great acclaim: perhaps a little too much from the orchestra's view point, who wanted to play the rest of their program: The London Philharmonic Concert given on November 7, provided an object lesson in this study of the relation of applause to encores.  […]
Pavel Kolesnikov on historical instruments
For me, one of the ultimate goals of a performance is to make pieces come across as something new, something unexpected and fresh. As soon as you start working with historical instruments, you are jeopardising this aspect. It is very difficult to get away from that; some performers manage it magically, but I don’t see […]
The Lord will Bless his People with Peace (Setting II) – Psalm 28 (29)
Title: The Lord will bless his people with peace (Setting II) Text: Psalm 28 (29): 1-4. 9-10 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Obedience and liberty in creativity
A great work, I believe, is made out of a combination of obedience and liberty. Such a work satisfied the mind, together with that curious thing which is artistic emotion. Stravinsky said, “If I were permitted everything, I would be lost in the abyss of liberty.” On the one hand he knew the limits, on […]
A little ahead … or a little behind
Samuel Sebastian Wesley received great reviews for his conding at Gloucester’s annual Three Choir Festivals in 1865. An critic in The Musical Times wrote in the October issue: We have said nothing of the orchestra during these performances, for in truth the perfect manner in which the whole of the instrumental portions of the works […]