Knowing is not enough

“Knowing is not enough; we must apply. Willing is not enough; we must do.”

Johann Wolfgang von Goethe, German poet and philosopher
Cited at: QuotationsBook


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Nino Rota on happiness and music
“When I’m creating at the piano, I tend to feel happy; but – the eternal dilemma – how can we be happy amid the unhappiness of others? I’d do everything I could to give everyone a moment of happiness. That’s what’s at the heart of my music.” Nino Rota, Italian composer. Cited at: Wikipedia.
Brahms’ post-concert adventure
Brahms was invited to the family of one of his students, Fräulein von Meyensbug, in Detmol : The Meysenbug ladies proved very prim and conventional. Brahms was ill at ease. He was so afraid of shocking his aristocratic hostesses that he hardly knew what to say or how to behave. Their young nephew Carl, however, […]
The beginning and the end
“Genius begins great works; labor alone finishes them.” – Joseph Joubert, French writer Joubert, J. (1983) The Notebooks of Joseph Joubert: A Selection. Translated by Paul Auster. San Francisco: North Point Press, p. 76.
The greatest applause
“The silence that accepts merit as the most natural thing in the world, is the highest applause.” — Ralph Waldo Emerson “An address delivered before the senior class in Divinity College, Cambridge, Sunday Evening, July 15, 1838”, The Works of Ralph Waldo Emerson, in 12 vols. Fireside Edition (Boston and New York, 1909). Vol. 1 […]
Composing in the bath
Gustav Mahler recalled: After an illness, Bruckner was ordered by his doctor to take a daily hip-bath.  Loath to waste time, he would take music paper and compose while in the tub.  While absorbed in his work one day, the mother of Rudolf Kryzanowski, one of his pupils, knocked at the door.  “Come in!” called […]
Dance of the Sugar-Plum Fairy
One of the most magical passages in Tchaikovsky’s The Nutcracker is the Dance of the Sugar-Plum Fairy. The featured instrument, the celeste, was a relatively new invention, having only been developed by a Parisian harmonium builder, Auguste Mustel, in 1886. The French word “céleste” translates to “heavenly”. Tchaikovsky first discovered the celeste while visiting Paris […]
Sondheim on expression
Mike Brown interviewers musical theatre composer Stephen Sondhiem: When I venture that his songs might suggest that he has a somewhat jaundiced view of love, he momentarily flares into irritation. ‘How can you tell? Every single song I’ve ever written is sung by a character created by somebody else. Some might have a jaundiced view […]
The effect of Tchaikovsky’s music on his patroness
Nadyezhda Filaretovna von Meck was Tchaikovsky’s patroness.  In March 1877 she wrote of the effect of Tchaikovsky’s music on her.  The work being described is a Marche Funèbre on a theme from Oprichnik (this work is now lost).    It is so superb that, as I had hoped, it elevates and transports me into a […]
Beethoven’s compositional process
Beethoven was revising Fidelio when he wrote to Georg Freiedrich Treitschke (who was helping to revise the libretto) (1): Now, of course, everything has to be done at once; and I could composer something new far more quickly than patch up the old with something new, as I am now doing. For my custom when I […]
Lord, Let Your Mercy Be On Us – Psalm 32 (33)
Title: Lord, let your mercy be on us Text: Psalm 32 (33): 4-5, 18-19, 20-22. R. v.22 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample: